Rappaccini's Daughter

We do not remember to have seen any translated specimens of the productions of M. de l'Aubepine -- a fact the less to be wondered at, as his very name is unknown to many of his own countrymen as well as to the student of foreign literature. As a writer, he seems to occupy an unfortunate position between the Transcendentalists (who, under one name or another, have their share in all the current literature of the world) and the great body of pen-and-ink men who address the intellect and sympathies of the multitude. If not too refined, at all events too remote, too shadowy, and unsubstantial in his modes of development to suit the taste of the latter class, and yet too popular to satisfy the spiritual or metaphysical requisitions of the former, he must necessarily find himself without an audience, except here and there an individual or possibly an isolated clique. His writings, to do them justice, are not altogether destitute of fancy and originality; they might have won him greater reputation but for an inveterate love of allegory, which is apt to invest his plots and characters with the aspect of scenery and people in the clouds, and to steal away the human warmth out of his conceptions. His fictions are sometimes historical, sometimes of the present day, and sometimes, so far as can be discovered, have little or no reference either to time or space. In any case, he generally contents himself with a very slight embroidery of outward manners, -- the faintest possible counterfeit of real life, -- and endeavors to create an interest by some less obvious peculiarity of the subject. Occasionally a breath of Nature, a raindrop of pathos and tenderness, or a gleam of humor, will find its way into the midst of his fantastic imagery, and make us feel as if, after all, we were yet within the limits of our native earth. We will only add to this very cursory notice that M. de l'Aubepine's productions, if the reader chance to take them in precisely the proper point of view, may amuse a leisure hour as well as those of a brighter man; if otherwise, they can hardly fail to look excessively like nonsense.
Our author is voluminous; he continues to write and publish with as much praiseworthy and indefatigable prolixity as if his efforts were crowned with the brilliant success that so justly attends those of Eugene Sue. His first appearance was by a collection of stories in a long series of volumes entitled "Contes deux fois racontees." The titles of some of his more recent works (we quote from memory) are as follows: "Le Voyage Celeste a Chemin de Fer," 3 tom., 1838; "Le nouveau Pere Adam et la nouvelle Mere Eve," 2 tom., 1839; "Roderic; ou le Serpent a l'estomac," 2 tom., 1840; "Le Culte du Feu," a folio volume of ponderous research into the religion and ritual of the old Persian Ghebers, published in 1841; "La Soiree du Chateau en Espagne," 1 tom., 8vo, 1842; and "L'Artiste du Beau; ou le Papillon Mecanique," 5 tom., 4to, 1843. Our somewhat wearisome perusal of this startling catalogue of volumes has left behind it a certain personal affection and sympathy, though by no means admiration, for M. de l'Aubepine; and we would fain do the little in our power towards introducing him favorably to the American public. The ensuing tale is a translation of his "Beatrice; ou la Belle Empoisonneuse," recently published in "La Revue Anti-Aristocratique." This journal, edited by the Comte de Bearhaven, has for some years past led the defence of liberal principles and popular rights with a faithfulness and ability worthy of all praise.

< 2 >
A young man, named Giovanni Guasconti, came, very long ago, from the more southern region of Italy, to pursue his studies at the University of Padua. Giovanni, who had but a scanty supply of gold ducats in his pocket, took lodgings in a high and gloomy chamber of an old edifice which looked not unworthy to have been the palace of a Paduan noble, and which, in fact, exhibited over its entrance the armorial bearings of a family long since extinct. The young stranger, who was not unstudied in the great poem of his country, recollected that one of the ancestors of this family, and perhaps an occupant of this very mansion, had been pictured by Dante as a partaker of the immortal agonies of his Inferno. These reminiscences and associations, together with the tendency to heartbreak natural to a young man for the first time out of his native sphere, caused Giovanni to sigh heavily as he looked around the desolate and ill-furnished apartment.
"Holy Virgin, signor!" cried old Dame Lisabetta, who, won by the youth's remarkable beauty of person, was kindly endeavoring to give the chamber a habitable air, "what a sigh was that to come out of a young man's heart! Do you find this old mansion gloomy? For the love of Heaven, then, put your head out of the window, and you will see as bright sunshine as you have left in Naples."
Guasconti mechanically did as the old woman advised, but could not quite agree with her that the Paduan sunshine was as cheerful as that of southern Italy. Such as it was, however, it fell upon a garden beneath the window and expended its fostering influences on a variety of plants, which seemed to have been cultivated with exceeding care.
"Does this garden belong to the house?" asked Giovanni.
"Heaven forbid, signor, unless it were fruitful of better pot herbs than any that grow there now," answered old Lisabetta. "No; that garden is cultivated by the own hands of Signor Giacomo Rappaccini, the famous doctor, who, I warrant him, has been heard of as far as Naples. It is said that he distils these plants into medicines that are as potent as a charm. Oftentimes you may see the signor doctor at work, and perchance the signora, his daughter, too, gathering the strange flowers that grow in the garden."

< 3 >
The old woman had now done what she could for the aspect of the chamber; and, commending the young man to the protection of the saints, took her departure
Giovanni still found no better occupation than to look down into the garden beneath his window. From its appearance, he judged it to be one of those botanic gardens which were of earlier date in Padua than elsewhere in Italy or in the world. Or, not improbably, it might once have been the pleasure-place of an opulent family; for there was the ruin of a marble fountain in the centre, sculptured with rare art, but so wofully shattered that it was impossible to trace the original design from the chaos of remaining fragments. The water, however, continued to gush and sparkle into the sunbeams as cheerfully as ever. A little gurgling sound ascended to the young man's window, and made him feel as if the fountain were an immortal spirit that sung its song unceasingly and without heeding the vicissitudes around it, while one century imbodied it in marble and another scattered the perishable garniture on the soil. All about the pool into which the water subsided grew various plants, that seemed to require a plentiful supply of moisture for the nourishment of gigantic leaves, and in some instances, flowers gorgeously magnificent. There was one shrub in particular, set in a marble vase in the midst of the pool, that bore a profusion of purple blossoms, each of which had the lustre and richness of a gem; and the whole together made a show so resplendent that it seemed enough to illuminate the garden, even had there been no sunshine. Every portion of the soil was peopled with plants and herbs, which, if less beautiful, still bore tokens of assiduous care, as if all had their individual virtues, known to the scientific mind that fostered them. Some were placed in urns, rich with old carving, and others in common garden pots; some crept serpent-like along the ground or climbed on high, using whatever means of ascent was offered them. One plant had wreathed itself round a statue of Vertumnus, which was thus quite veiled and shrouded in a drapery of hanging foliage, so happily arranged that it might have served a sculptor for a study.
While Giovanni stood at the window he heard a rustling behind a screen of leaves, and became aware that a person was at work in the garden. His figure soon emerged into view, and showed itself to be that of no common laborer, but a tall, emaciated, sallow, and sickly-looking man, dressed in a scholar's garb of black. He was beyond the middle term of life, with gray hair, a thin, gray beard, and a face singularly marked with intellect and cultivation, but which could never, even in his more youthful days, have expressed much warmth of heart.

< 4 >
Nothing could exceed the intentness with which this scientific gardener examined every shrub which grew in his path: it seemed as if he was looking into their inmost nature, making observations in regard to their creative essence, and discovering why one leaf grew in this shape and another in that, and wherefore such and such flowers differed among themselves in hue and perfume. Nevertheless, in spite of this deep intelligence on his part, there was no approach to intimacy between himself and these vegetable existences. On the contrary, he avoided their actual touch or the direct inhaling of their odors with a caution that impressed Giovanni most disagreeably; for the man's demeanor was that of one walking among malignant influences, such as savage beasts, or deadly snakes, or evil spirits, which, should he allow them one moment of license, would wreak upon him some terrible fatality. It was strangely frightful to the young man's imagination to see this air of insecurity in a person cultivating a garden, that most simple and innocent of human toils, and which had been alike the joy and labor of the unfallen parents of the race. Was this garden, then, the Eden of the present world? And this man, with such a perception of harm in what his own hands caused to grow, -- was he the Adam?
The distrustful gardener, while plucking away the dead leaves or pruning the too luxuriant growth of the shrubs, defended his hands with a pair of thick gloves. Nor were these his only armor. When, in his walk through the garden, he came to the magnificent plant that hung its purple gems beside the marble fountain, he placed a kind of mask over his mouth and nostrils, as if all this beauty did but conceal a deadlier malice; but, finding his task still too dangerous, he drew back, removed the mask, and called loudly, but in the infirm voice of a person affected with inward disease, "Beatrice! Beatrice!"
"Here am I, my father. What would you?" cried a rich and youthful voice from the window of the opposite house -- a voice as rich as a tropical sunset, and which made Giovanni, though he knew not why, think of deep hues of purple or crimson and of perfumes heavily delectable. "Are you in the garden?"

< 5 >
"Yes, Beatrice," answered the gardener, "and I need your help."
Soon there emerged from under a sculptured portal the figure of a young girl, arrayed with as much richness of taste as the most splendid of the flowers, beautiful as the day, and with a bloom so deep and vivid that one shade more would have been too much. She looked redundant with life, health, and energy; all of which attributes were bound down and compressed, as it were and girdled tensely, in their luxuriance, by her virgin zone. Yet Giovanni's fancy must have grown morbid while he looked down into the garden; for the impression which the fair stranger made upon him was as if here were another flower, the human sister of those vegetable ones, as beautiful as they, more beautiful than the richest of them, but still to be touched only with a glove, nor to be approached without a mask. As Beatrice came down the garden path, it was observable that she handled and inhaled the odor of several of the plants which her father had most sedulously avoided.
"Here, Beatrice," said the latter, "see how many needful offices require to be done to our chief treasure. Yet, shattered as I am, my life might pay the penalty of approaching it so closely as circumstances demand. Henceforth, I fear, this plant must be consigned to your sole charge."
"And gladly will I undertake it," cried again the rich tones of the young lady, as she bent towards the magnificent plant and opened her arms as if to embrace it. "Yes, my sister, my splendour, it shall be Beatrice's task to nurse and serve thee; and thou shalt reward her with thy kisses and perfumed breath, which to her is as the breath of life."
Then, with all the tenderness in her manner that was so strikingly expressed in her words, she busied herself with such attentions as the plant seemed to require; and Giovanni, at his lofty window, rubbed his eyes and almost doubted whether it were a girl tending her favorite flower, or one sister performing the duties of affection to another. The scene soon terminated. Whether Dr. Rappaccini had finished his labors in the garden, or that his watchful eye had caught the stranger's face, he now took his daughter's arm and retired. Night was already closing in; oppressive exhalations seemed to proceed from the plants and steal upward past the open window; and Giovanni, closing the lattice, went to his couch and dreamed of a rich flower and beautiful girl. Flower and maiden were different, and yet the same, and fraught with some strange peril in either shape.

< 6 >
But there is an influence in the light of morning that tends to rectify whatever errors of fancy, or even of judgment, we may have incurred during the sun's decline, or among the shadows of the night, or in the less wholesome glow of moonshine. Giovanni's first movement, on starting from sleep, was to throw open the window and gaze down into the garden which his dreams had made so fertile of mysteries. He was surprised and a little ashamed to find how real and matter-of-fact an affair it proved to be, in the first rays of the sun which gilded the dew-drops that hung upon leaf and blossom, and, while giving a brighter beauty to each rare flower, brought everything within the limits of ordinary experience. The young man rejoiced that, in the heart of the barren city, he had the privilege of overlooking this spot of lovely and luxuriant vegetation. It would serve, he said to himself, as a symbolic language to keep him in communion with Nature. Neither the sickly and thoughtworn Dr. Giacomo Rappaccini, it is true, nor his brilliant daughter, were now visible; so that Giovanni could not determine how much of the singularity which he attributed to both was due to their own qualities and how much to his wonder-working fancy; but he was inclined to take a most rational view of the whole matter.
In the course of the day he paid his respects to Signor Pietro Baglioni, professor of medicine in the university, a physician of eminent repute to whom Giovanni had brought a letter of introduction. The professor was an elderly personage, apparently of genial nature, and habits that might almost be called jovial. He kept the young man to dinner, and made himself very agreeable by the freedom and liveliness of his conversation, especially when warmed by a flask or two of Tuscan wine. Giovanni, conceiving that men of science, inhabitants of the same city, must needs be on familiar terms with one another, took an opportunity to mention the name of Dr. Rappaccini. But the professor did not respond with so much cordiality as he had anticipated.
"Ill would it become a teacher of the divine art of medicine," said Professor Pietro Baglioni, in answer to a question of Giovanni, "to withhold due and well-considered praise of a physician so eminently skilled as Rappaccini; but, on the other hand, I should answer it but scantily to my conscience were I to permit a worthy youth like yourself, Signor Giovanni, the son of an ancient friend, to imbibe erroneous ideas respecting a man who might hereafter chance to hold your life and death in his hands. The truth is, our worshipful Dr. Rappaccini has as much science as any member of the faculty -- with perhaps one single exception -- in Padua, or all Italy; but there are certain grave objections to his professional character."

< 7 >
"And what are they?" asked the young man.
"Has my friend Giovanni any disease of body or heart, that he is so inquisitive about physicians?" said the professor, with a smile. "But as for Rappaccini, it is said of him -- and I, who know the man well, can answer for its truth -- that he cares infinitely more for science than for mankind. His patients are interesting to him only as subjects for some new experiment. He would sacrifice human life, his own among the rest, or whatever else was dearest to him, for the sake of adding so much as a grain of mustard seed to the great heap of his accumulated knowledge."
"Methinks he is an awful man indeed," remarked Guasconti, mentally recalling the cold and purely intellectual aspect of Rappaccini. "And yet, worshipful professor, is it not a noble spirit? Are there many men capable of so spiritual a love of science?"
"God forbid," answered the professor, somewhat testily; "at least, unless they take sounder views of the healing art than those adopted by Rappaccini. It is his theory that all medicinal virtues are comprised within those substances which we term vegetable poisons. These he cultivates with his own hands, and is said even to have produced new varieties of poison, more horribly deleterious than Nature, without the assistance of this learned person, would ever have plagued the world withal. That the signor doctor does less mischief than might be expected with such dangerous substances is undeniable. Now and then, it must be owned, he has effected, or seemed to effect, a marvellous cure; but, to tell you my private mind, Signor Giovanni, he should receive little credit for such instances of success, -- they being probably the work of chance, -- but should be held strictly accountable for his failures, which may justly be considered his own work."
The youth might have taken Baglioni's opinions with many grains of allowance had he known that there was a professional warfare of long continuance between him and Dr. Rappaccini, in which the latter was generally thought to have gained the advantage. If the reader be inclined to judge for himself, we refer him to certain black-letter tracts on both sides, preserved in the medical department of the University of Padua.
"I know not, most learned professor," returned Giovanni, after musing on what had been said of Rappaccini's exclusive zeal for science, --"I know not how dearly this physician may love his art; but surely there is one object more dear to him. He has a daughter."

< 8 >
"Aha!" cried the professor, with a laugh. "So now our friend Giovanni's secret is out. You have heard of this daughter, whom all the young men in Padua are wild about, though not half a dozen have ever had the good hap to see her face. I know little of the Signora Beatrice save that Rappaccini is said to have instructed her deeply in his science, and that, young and beautiful as fame reports her, she is already qualified to fill a professor's chair. Perchance her father destines her for mine! Other absurd rumors there be, not worth talking about or listening to. So now, Signor Giovanni, drink off your glass of lachryma."
Guasconti returned to his lodgings somewhat heated with the wine he had quaffed, and which caused his brain to swim with strange fantasies in reference to Dr. Rappaccini and the beautiful Beatrice. On his way, happening to pass by a florist's, he bought a fresh bouquet of flowers.
Ascending to his chamber, he seated himself near the window, but within the shadow thrown by the depth of the wall, so that he could look down into the garden with little risk of being discovered. All beneath his eye was a solitude. The strange plants were basking in the sunshine, and now and then nodding gently to one another, as if in acknowledgment of sympathy and kindred. In the midst, by the shattered fountain, grew the magnificent shrub, with its purple gems clustering all over it; they glowed in the air, and gleamed back again out of the depths of the pool, which thus seemed to overflow with colored radiance from the rich reflection that was steeped in it. At first, as we have said, the garden was a solitude. Soon, however, -- as Giovanni had half hoped, half feared, would be the case, -- a figure appeared beneath the antique sculptured portal, and came down between the rows of plants, inhaling their various perfumes as if she were one of those beings of old classic fable that lived upon sweet odors. On again beholding Beatrice, the young man was even startled to perceive how much her beauty exceeded his recollection of it; so brilliant, so vivid, was its character, that she glowed amid the sunlight, and, as Giovanni whispered to himself, positively illuminated the more shadowy intervals of the garden path. Her face being now more revealed than on the former occasion, he was struck by its expression of simplicity and sweetness, -- qualities that had not entered into his idea of her character, and which made him ask anew what manner of mortal she might be. Nor did he fail again to observe, or imagine, an analogy between the beautiful girl and the gorgeous shrub that hung its gemlike flowers over the fountain, -- a resemblance which Beatrice seemed to have indulged a fantastic humor in heightening, both by the arrangement of her dress and the selection of its hues.

< 9 >
Approaching the shrub, she threw open her arms, as with a passionate ardor, and drew its branches into an intimate embrace -- so intimate that her features were hidden in its leafy bosom and her glistening ringlets all intermingled with the flowers
"Give me thy breath, my sister," exclaimed Beatrice; "for I am faint with common air. And give me this flower of thine, which I separate with gentlest fingers from the stem and place it close beside my heart."
With these words the beautiful daughter of Rappaccini plucked one of the richest blossoms of the shrub, and was about to fasten it in her bosom. But now, unless Giovanni's draughts of wine had bewildered his senses, a singular incident occurred. A small orange-colored reptile, of the lizard or chameleon species, chanced to be creeping along the path, just at the feet of Beatrice. It appeared to Giovanni, -- but, at the distance from which he gazed, he could scarcely have seen anything so minute, -- it appeared to him, however, that a drop or two of moisture from the broken stem of the flower descended upon the lizard's head. For an instant the reptile contorted itself violently, and then lay motionless in the sunshine. Beatrice observed this remarkable phenomenon and crossed herself, sadly, but without surprise; nor did she therefore hesitate to arrange the fatal flower in her bosom. There it blushed, and almost glimmered with the dazzling effect of a precious stone, adding to her dress and aspect the one appropriate charm which nothing else in the world could have supplied. But Giovanni, out of the shadow of his window, bent forward and shrank back, and murmured and trembled.
"Am I awake? Have I my senses?" said he to himself. "What is this being? Beautiful shall I call her, or inexpressibly terrible?"
Beatrice now strayed carelessly through the garden, approaching closer beneath Giovanni's window, so that he was compelled to thrust his head quite out of its concealment in order to gratify the intense and painful curiosity which she excited. At this moment there came a beautiful insect over the garden wall; it had, perhaps, wandered through the city, and found no flowers or verdure among those antique haunts of men until the heavy perfumes of Dr. Rappaccini's shrubs had lured it from afar. Without alighting on the flowers, this winged brightness seemed to be attracted by Beatrice, and lingered in the air and fluttered about her head. Now, here it could not be but that Giovanni Guasconti's eyes deceived him. Be that as it might, he fancied that, while Beatrice was gazing at the insect with childish delight, it grew faint and fell at her feet; its bright wings shivered; it was dead -- from no cause that he could discern, unless it were the atmosphere of her breath. Again Beatrice crossed herself and sighed heavily as she bent over the dead insect.

< 10 >
An impulsive movement of Giovanni drew her eyes to the window. There she beheld the beautiful head of the young man -- rather a Grecian than an Italian head, with fair, regular features, and a glistening of gold among his ringlets -- gazing down upon her like a being that hovered in mid air. Scarcely knowing what he did, Giovanni threw down the bouquet which he had hitherto held in his hand.
"Signora," said he, "there are pure and healthful flowers. Wear them for the sake of Giovanni Guasconti."
"Thanks, signor," replied Beatrice, with her rich voice, that came forth as it were like a gush of music, and with a mirthful expression half childish and half woman-like. "I accept your gift, and would fain recompense it with this precious purple flower; but if I toss it into the air it will not reach you. So Signor Guasconti must even content himself with my thanks."
She lifted the bouquet from the ground, and then, as if inwardly ashamed at having stepped aside from her maidenly reserve to respond to a stranger's greeting, passed swiftly homeward through the garden. But few as the moments were, it seemed to Giovanni, when she was on the point of vanishing beneath the sculptured portal, that his beautiful bouquet was already beginning to wither in her grasp. It was an idle thought; there could be no possibility of distinguishing a faded flower from a fresh one at so great a distance.
For many days after this incident the young man avoided the window that looked into Dr. Rappaccini's garden, as if something ugly and monstrous would have blasted his eyesight had he been betrayed into a glance. He felt conscious of having put himself, to a certain extent, within the influence of an unintelligible power by the communication which he had opened with Beatrice. The wisest course would have been, if his heart were in any real danger, to quit his lodgings and Padua itself at once; the next wiser, to have accustomed himself, as far as possible, to the familiar and daylight view of Beatrice -- thus bringing her rigidly and systematically within the limits of ordinary experience. Least of all, while avoiding her sight, ought Giovanni to have remained so near this extraordinary being that the proximity and possibility even of intercourse should give a kind of substance and reality to the wild vagaries which his imagination ran riot continually in producing. Guasconti had not a deep heart -- or, at all events, its depths were not sounded now; but he had a quick fancy, and an ardent southern temperament, which rose every instant to a higher fever pitch. Whether or no Beatrice possessed those terrible attributes, that fatal breath, the affinity with those so beautiful and deadly flowers which were indicated by what Giovanni had witnessed, she had at least instilled a fierce and subtle poison into his system. It was not love, although her rich beauty was a madness to him; nor horror, even while he fancied her spirit to be imbued with the same baneful essence that seemed to pervade her physical frame; but a wild offspring of both love and horror that had each parent in it, and burned like one and shivered like the other. Giovanni knew not what to dread; still less did he know what to hope; yet hope and dread kept a continual warfare in his breast, alternately vanquishing one another and starting up afresh to renew the contest. Blessed are all simple emotions, be they dark or bright! It is the lurid intermixture of the two that produces the illuminating blaze of the infernal regions.

< 11 >
Sometimes he endeavored to assuage the fever of his spirit by a rapid walk through the streets of Padua or beyond its gates: his footsteps kept time with the throbbings of his brain, so that the walk was apt to accelerate itself to a race. One day he found himself arrested; his arm was seized by a portly personage, who had turned back on recognizing the young man and expended much breath in overtaking him.
"Signor Giovanni! Stay, my young friend!" cried he. "Have you forgotten me? That might well be the case if I were as much altered as yourself."
It was Baglioni, whom Giovanni had avoided ever since their first meeting, from a doubt that the professor's sagacity would look too deeply into his secrets. Endeavoring to recover himself, he stared forth wildly from his inner world into the outer one and spoke like a man in a dream.
"Yes; I am Giovanni Guasconti. You are Professor Pietro Baglioni. Now let me pass!"
"Not yet, not yet, Signor Giovanni Guasconti," said the professor, smiling, but at the same time scrutinizing the youth with an earnest glance. "What! did I grow up side by side with your father? and shall his son pass me like a stranger in these old streets of Padua? Stand still, Signor Giovanni; for we must have a word or two before we part."
"Speedily, then, most worshipful professor, speedily," said Giovanni, with feverish impatience. "Does not your worship see that I am in haste?"
Now, while he was speaking there came a man in black along the street, stooping and moving feebly like a person in inferior health. His face was all overspread with a most sickly and sallow hue, but yet so pervaded with an expression of piercing and active intellect that an observer might easily have overlooked the merely physical attributes and have seen only this wonderful energy. As he passed, this person exchanged a cold and distant salutation with Baglioni, but fixed his eyes upon Giovanni with an intentness that seemed to bring out whatever was within him worthy of notice. Nevertheless, there was a peculiar quietness in the look, as if taking merely a speculative, not a human interest, in the young man.
"It is Dr. Rappaccini!" whispered the professor when the stranger had passed. "Has he ever seen your face before?"

< 12 >
"Not that I know," answered Giovanni, starting at the name.
"He HAS seen you! he must have seen you!" said Baglioni, hastily. "For some purpose or other, this man of science is making a study of you. I know that look of his! It is the same that coldly illuminates his face as he bends over a bird, a mouse, or a butterfly, which, in pursuance of some experiment, he has killed by the perfume of a flower; a look as deep as Nature itself, but without Nature's warmth of love. Signor Giovanni, I will stake my life upon it, you are the subject of one of Rappaccini's experiments!"
"Will you make a fool of me?" cried Giovanni, passionately. "THAT, signor professor, were an untoward experiment."
"Patience! patience!" replied the imperturbable professor. "I tell thee, my poor Giovanni, that Rappaccini has a scientific interest in thee. Thou hast fallen into fearful hands! And the Signora Beatrice, -- what part does she act in this mystery?"
But Guasconti, finding Baglioni's pertinacity intolerable, here broke away, and was gone before the professor could again seize his arm. He looked after the young man intently and shook his head.
"This must not be," said Baglioni to himself. "The youth is the son of my old friend, and shall not come to any harm from which the arcana of medical science can preserve him. Besides, it is too insufferable an impertinence in Rappaccini, thus to snatch the lad out of my own hands, as I may say, and make use of him for his infernal experiments. This daughter of his! It shall be looked to. Perchance, most learned Rappaccini, I may foil you where you little dream of it!"
Meanwhile Giovanni had pursued a circuitous route, and at length found himself at the door of his lodgings. As he crossed the threshold he was met by old Lisabetta, who smirked and smiled, and was evidently desirous to attract his attention; vainly, however, as the ebullition of his feelings had momentarily subsided into a cold and dull vacuity. He turned his eyes full upon the withered face that was puckering itself into a smile, but seemed to behold it not. The old dame, therefore, laid her grasp upon his cloak.
"Signor! signor!" whispered she, still with a smile over the whole breadth of her visage, so that it looked not unlike a grotesque carving in wood, darkened by centuries. "Listen, signor! There is a private entrance into the garden!"

< 13 >
"What do you say?" exclaimed Giovanni, turning quickly about, as if an inanimate thing should start into feverish life. "A private entrance into Dr. Rappaccini's garden?"
"Hush! hush! not so loud!" whispered Lisabetta, putting her hand over his mouth. "Yes; into the worshipful doctor's garden, where you may see all his fine shrubbery. Many a young man in Padua would give gold to be admitted among those flowers."
Giovanni put a piece of gold into her hand.
"Show me the way," said he.
A surmise, probably excited by his conversation with Baglioni, crossed his mind, that this interposition of old Lisabetta might perchance be connected with the intrigue, whatever were its nature, in which the professor seemed to suppose that Dr. Rappaccini was involving him. But such a suspicion, though it disturbed Giovanni, was inadequate to restrain him. The instant that he was aware of the possibility of approaching Beatrice, it seemed an absolute necessity of his existence to do so. It mattered not whether she were angel or demon; he was irrevocably within her sphere, and must obey the law that whirled him onward, in ever-lessening circles, towards a result which he did not attempt to foreshadow; and yet, strange to say, there came across him a sudden doubt whether this intense interest on his part were not delusory; whether it were really of so deep and positive a nature as to justify him in now thrusting himself into an incalculable position; whether it were not merely the fantasy of a young man's brain, only slightly or not at all connected with his heart.
He paused, hesitated, turned half about, but again went on. His withered guide led him along several obscure passages, and finally undid a door, through which, as it was opened, there came the sight and sound of rustling leaves, with the broken sunshine glimmering among them. Giovanni stepped forth, and, forcing himself through the entanglement of a shrub that wreathed its tendrils over the hidden entrance, stood beneath his own window in the open area of Dr. Rappaccini's garden.
How often is it the case that, when impossibilities have come to pass and dreams have condensed their misty substance into tangible realities, we find ourselves calm, and even coldly self-possessed, amid circumstances which it would have been a delirium of joy or agony to anticipate! Fate delights to thwart us thus. Passion will choose his own time to rush upon the scene, and lingers sluggishly behind when an appropriate adjustment of events would seem to summon his appearance. So was it now with Giovanni. Day after day his pulses had throbbed with feverish blood at the improbable idea of an interview with Beatrice, and of standing with her, face to face, in this very garden, basking in the Oriental sunshine of her beauty, and snatching from her full gaze the mystery which he deemed the riddle of his own existence. But now there was a singular and untimely equanimity within his breast. He threw a glance around the garden to discover if Beatrice or her father were present, and, perceiving that he was alone, began a critical observation of the plants.

< 14 >
The aspect of one and all of them dissatisfied him; their gorgeousness seemed fierce, passionate, and even unnatural. There was hardly an individual shrub which a wanderer, straying by himself through a forest, would not have been startled to find growing wild, as if an unearthly face had glared at him out of the thicket. Several also would have shocked a delicate instinct by an appearance of artificialness indicating that there had been such commixture, and, as it were, adultery, of various vegetable species, that the production was no longer of God's making, but the monstrous offspring of man's depraved fancy, glowing with only an evil mockery of beauty. They were probably the result of experiment, which in one or two cases had succeeded in mingling plants individually lovely into a compound possessing the questionable and ominous character that distinguished the whole growth of the garden. In fine, Giovanni recognized but two or three plants in the collection, and those of a kind that he well knew to be poisonous. While busy with these contemplations he heard the rustling of a silken garment, and, turning, beheld Beatrice emerging from beneath the sculptured portal.
Giovanni had not considered with himself what should be his deportment; whether he should apologize for his intrusion into the garden, or assume that he was there with the privity at least, if not by the desire, of Dr. Rappaccini or his daughter; but Beatrice's manner placed him at his ease, though leaving him still in doubt by what agency he had gained admittance. She came lightly along the path and met him near the broken fountain. There was surprise in her face, but brightened by a simple and kind expression of pleasure.
"You are a connoisseur in flowers, signor," said Beatrice, with a smile, alluding to the bouquet which he had flung her from the window. "It is no marvel, therefore, if the sight of my father's rare collection has tempted you to take a nearer view. If he were here, he could tell you many strange and interesting facts as to the nature and habits of these shrubs; for he has spent a lifetime in such studies, and this garden is his world."
"And yourself, lady," observed Giovanni, "if fame says true, -- you likewise are deeply skilled in the virtues indicated by these rich blossoms and these spicy perfumes. Would you deign to be my instructress, I should prove an apter scholar than if taught by Signor Rappaccini himself."

< 15 >
"Are there such idle rumors?" asked Beatrice, with the music of a pleasant laugh. "Do people say that I am skilled in my father's science of plants? What a jest is there! No; though I have grown up among these flowers, I know no more of them than their hues and perfume; and sometimes methinks I would fain rid myself of even that small knowledge. There are many flowers here, and those not the least brilliant, that shock and offend me when they meet my eye. But pray, signor, do not believe these stories about my science. Believe nothing of me save what you see with your own eyes."
"And must I believe all that I have seen with my own eyes?" asked Giovanni, pointedly, while the recollection of former scenes made him shrink. "No, signora; you demand too little of me. Bid me believe nothing save what comes from your own lips."
It would appear that Beatrice understood him. There came a deep flush to her cheek; but she looked full into Giovanni's eyes, and responded to his gaze of uneasy suspicion with a queenlike haughtiness.
"I do so bid you, signor," she replied. "Forget whatever you may have fancied in regard to me. If true to the outward senses, still it may be false in its essence; but the words of Beatrice Rappaccini's lips are true from the depths of the heart outward. Those you may believe."
A fervor glowed in her whole aspect and beamed upon Giovanni's consciousness like the light of truth itself; but while she spoke there was a fragrance in the atmosphere around her, rich and delightful, though evanescent, yet which the young man, from an indefinable reluctance, scarcely dared to draw into his lungs. It might be the odor of the flowers. Could it be Beatrice's breath which thus embalmed her words with a strange richness, as if by steeping them in her heart? A faintness passed like a shadow over Giovanni and flitted away; he seemed to gaze through the beautiful girl's eyes into her transparent soul, and felt no more doubt or fear.
The tinge of passion that had colored Beatrice's manner vanished; she became gay, and appeared to derive a pure delight from her communion with the youth not unlike what the maiden of a lonely island might have felt conversing with a voyager from the civilized world. Evidently her experience of life had been confined within the limits of that garden. She talked now about matters as simple as the daylight or summer clouds, and now asked questions in reference to the city, or Giovanni's distant home, his friends, his mother, and his sisters -- questions indicating such seclusion, and such lack of familiarity with modes and forms, that Giovanni responded as if to an infant. Her spirit gushed out before him like a fresh rill that was just catching its first glimpse of the sunlight and wondering at the reflections of earth and sky which were flung into its bosom. There came thoughts, too, from a deep source, and fantasies of a gemlike brilliancy, as if diamonds and rubies sparkled upward among the bubbles of the fountain. Ever and anon there gleamed across the young man's mind a sense of wonder that he should be walking side by side with the being who had so wrought upon his imagination, whom he had idealized in such hues of terror, in whom he had positively witnessed such manifestations of dreadful attributes, -- that he should be conversing with Beatrice like a brother, and should find her so human and so maidenlike. But such reflections were only momentary; the effect of her character was too real not to make itself familiar at once.

< 16 >
In this free intercourse they had strayed through the garden, and now, after many turns among its avenues, were come to the shattered fountain, beside which grew the magnificent shrub, with its treasury of glowing blossoms. A fragrance was diffused from it which Giovanni recognized as identical with that which he had attributed to Beatrice's breath, but incomparably more powerful. As her eyes fell upon it, Giovanni beheld her press her hand to her bosom as if her heart were throbbing suddenly and painfully.
"For the first time in my life," murmured she, addressing the shrub, "I had forgotten thee."
"I remember, signora," said Giovanni, "that you once promised to reward me with one of these living gems for the bouquet which I had the happy boldness to fling to your feet. Permit me now to pluck it as a memorial of this interview."
He made a step towards the shrub with extended hand; but Beatrice darted forward, uttering a shriek that went through his heart like a dagger. She caught his hand and drew it back with the whole force of her slender figure. Giovanni felt her touch thrilling through his fibres.
"Touch it not!" exclaimed she, in a voice of agony. "Not for thy life! It is fatal!"
Then, hiding her face, she fled from him and vanished beneath the sculptured portal. As Giovanni followed her with his eyes, he beheld the emaciated figure and pale intelligence of Dr. Rappaccini, who had been watching the scene, he knew not how long, within the shadow of the entrance.
No sooner was Guasconti alone in his chamber than the image of Beatrice came back to his passionate musings, invested with all the witchery that had been gathering around it ever since his first glimpse of her, and now likewise imbued with a tender warmth of girlish womanhood. She was human; her nature was endowed with all gentle and feminine qualities; she was worthiest to be worshipped; she was capable, surely, on her part, of the height and heroism of love. Those tokens which he had hitherto considered as proofs of a frightful peculiarity in her physical and moral system were now either forgotten, or, by the subtle sophistry of passion transmitted into a golden crown of enchantment, rendering Beatrice the more admirable by so much as she was the more unique. Whatever had looked ugly was now beautiful; or, if incapable of such a change, it stole away and hid itself among those shapeless half ideas which throng the dim region beyond the daylight of our perfect consciousness. Thus did he spend the night, nor fell asleep until the dawn had begun to awake the slumbering flowers in Dr. Rappaccini's garden, whither Giovanni's dreams doubtless led him. Up rose the sun in his due season, and, flinging his beams upon the young man's eyelids, awoke him to a sense of pain. When thoroughly aroused, he became sensible of a burning and tingling agony in his hand -- in his right hand -- the very hand which Beatrice had grasped in her own when he was on the point of plucking one of the gemlike flowers. On the back of that hand there was now a purple print like that of four small fingers, and the likeness of a slender thumb upon his wrist.

< 17 >
Oh, how stubbornly does love, -- or even that cunning semblance of love which flourishes in the imagination, but strikes no depth of root into the heart, -- how stubbornly does it hold its faith until the moment comes when it is doomed to vanish into thin mist! Giovanni wrapped a handkerchief about his hand and wondered what evil thing had stung him, and soon forgot his pain in a reverie of Beatrice.
After the first interview, a second was in the inevitable course of what we call fate. A third; a fourth; and a meeting with Beatrice in the garden was no longer an incident in Giovanni's daily life, but the whole space in which he might be said to live; for the anticipation and memory of that ecstatic hour made up the remainder. Nor was it otherwise with the daughter of Rappaccini. She watched for the youth's appearance, and flew to his side with confidence as unreserved as if they had been playmates from early infancy -- as if they were such playmates still. If, by any unwonted chance, he failed to come at the appointed moment, she stood beneath the window and sent up the rich sweetness of her tones to float around him in his chamber and echo and reverberate throughout his heart: "Giovanni! Giovanni! Why tarriest thou? Come down!" And down he hastened into that Eden of poisonous flowers.
But, with all this intimate familiarity, there was still a reserve in Beatrice's demeanor, so rigidly and invariably sustained that the idea of infringing it scarcely occurred to his imagination. By all appreciable signs, they loved; they had looked love with eyes that conveyed the holy secret from the depths of one soul into the depths of the other, as if it were too sacred to be whispered by the way; they had even spoken love in those gushes of passion when their spirits darted forth in articulated breath like tongues of long-hidden flame; and yet there had been no seal of lips, no clasp of hands, nor any slightest caress such as love claims and hallows. He had never touched one of the gleaming ringlets of her hair; her garment -- so marked was the physical barrier between them -- had never been waved against him by a breeze. On the few occasions when Giovanni had seemed tempted to overstep the limit, Beatrice grew so sad, so stern, and withal wore such a look of desolate separation, shuddering at itself, that not a spoken word was requisite to repel him. At such times he was startled at the horrible suspicions that rose, monster-like, out of the caverns of his heart and stared him in the face; his love grew thin and faint as the morning mist, his doubts alone had substance. But, when Beatrice's face brightened again after the momentary shadow, she was transformed at once from the mysterious, questionable being whom he had watched with so much awe and horror; she was now the beautiful and unsophisticated girl whom he felt that his spirit knew with a certainty beyond all other knowledge.

< 18 >
A considerable time had now passed since Giovanni's last meeting with Baglioni. One morning, however, he was disagreeably surprised by a visit from the professor, whom he had scarcely thought of for whole weeks, and would willingly have forgotten still longer. Given up as he had long been to a pervading excitement, he could tolerate no companions except upon condition of their perfect sympathy with his present state of feeling. Such sympathy was not to be expected from Professor Baglioni.
The visitor chatted carelessly for a few moments about the gossip of the city and the university, and then took up another topic.
"I have been reading an old classic author lately," said he, "and met with a story that strangely interested me. Possibly you may remember it. It is of an Indian prince, who sent a beautiful woman as a present to Alexander the Great. She was as lovely as the dawn and gorgeous as the sunset; but what especially distinguished her was a certain rich perfume in her breath -- richer than a garden of Persian roses. Alexander, as was natural to a youthful conqueror, fell in love at first sight with this magnificent stranger; but a certain sage physician, happening to be present, discovered a terrible secret in regard to her."
"And what was that?" asked Giovanni, turning his eyes downward to avoid those of the professor
"That this lovely woman," continued Baglioni, with emphasis, "had been nourished with poisons from her birth upward, until her whole nature was so imbued with them that she herself had become the deadliest poison in existence. Poison was her element of life. With that rich perfume of her breath she blasted the very air. Her love would have been poison -- her embrace death. Is not this a marvellous tale?"
"A childish fable," answered Giovanni, nervously starting from his chair. "I marvel how your worship finds time to read such nonsense among your graver studies."
"By the by," said the professor, looking uneasily about him, "what singular fragrance is this in your apartment? Is it the perfume of your gloves? It is faint, but delicious; and yet, after all, by no means agreeable. Were I to breathe it long, methinks it would make me ill. It is like the breath of a flower; but I see no flowers in the chamber."

< 19 >
"Nor are there any," replied Giovanni, who had turned pale as the professor spoke; "nor, I think, is there any fragrance except in your worship's imagination. Odors, being a sort of element combined of the sensual and the spiritual, are apt to deceive us in this manner. The recollection of a perfume, the bare idea of it, may easily be mistaken for a present reality."
"Ay; but my sober imagination does not often play such tricks," said Baglioni; "and, were I to fancy any kind of odor, it would be that of some vile apothecary drug, wherewith my fingers are likely enough to be imbued. Our worshipful friend Rappaccini, as I have heard, tinctures his medicaments with odors richer than those of Araby. Doubtless, likewise, the fair and learned Signora Beatrice would minister to her patients with draughts as sweet as a maiden's breath; but woe to him that sips them!"
Giovanni's face evinced many contending emotions. The tone in which the professor alluded to the pure and lovely daughter of Rappaccini was a torture to his soul; and yet the intimation of a view of her character opposite to his own, gave instantaneous distinctness to a thousand dim suspicions, which now grinned at him like so many demons. But he strove hard to quell them and to respond to Baglioni with a true lover's perfect faith.
"Signor professor," said he, "you were my father's friend; perchance, too, it is your purpose to act a friendly part towards his son. I would fain feel nothing towards you save respect and deference; but I pray you to observe, signor, that there is one subject on which we must not speak. You know not the Signora Beatrice. You cannot, therefore, estimate the wrong -- the blasphemy, I may even say -- that is offered to her character by a light or injurious word."
"Giovanni! my poor Giovanni!" answered the professor, with a calm expression of pity, "I know this wretched girl far better than yourself. You shall hear the truth in respect to the poisoner Rappaccini and his poisonous daughter; yes, poisonous as she is beautiful. Listen; for, even should you do violence to my gray hairs, it shall not silence me. That old fable of the Indian woman has become a truth by the deep and deadly science of Rappaccini and in the person of the lovely Beatrice."

< 20 >
Giovanni groaned and hid his face
"Her father," continued Baglioni, "was not restrained by natural affection from offering up his child in this horrible manner as the victim of his insane zeal for science; for, let us do him justice, he is as true a man of science as ever distilled his own heart in an alembic. What, then, will be your fate? Beyond a doubt you are selected as the material of some new experiment. Perhaps the result is to be death; perhaps a fate more awful still. Rappaccini, with what he calls the interest of science before his eyes, will hesitate at nothing."
"It is a dream," muttered Giovanni to himself; "surely it is a dream."
"But," resumed the professor, "be of good cheer, son of my friend. It is not yet too late for the rescue. Possibly we may even succeed in bringing back this miserable child within the limits of ordinary nature, from which her father's madness has estranged her. Behold this little silver vase! It was wrought by the hands of the renowned Benvenuto Cellini, and is well worthy to be a love gift to the fairest dame in Italy. But its contents are invaluable. One little sip of this antidote would have rendered the most virulent poisons of the Borgias innocuous. Doubt not that it will be as efficacious against those of Rappaccini. Bestow the vase, and the precious liquid within it, on your Beatrice, and hopefully await the result."
Baglioni laid a small, exquisitely wrought silver vial on the table and withdrew, leaving what he had said to produce its effect upon the young man's mind.
"We will thwart Rappaccini yet," thought he, chuckling to himself, as he descended the stairs; "but, let us confess the truth of him, he is a wonderful man -- a wonderful man indeed; a vile empiric, however, in his practice, and therefore not to be tolerated by those who respect the good old rules of the medical profession."
Throughout Giovanni's whole acquaintance with Beatrice, he had occasionally, as we have said, been haunted by dark surmises as to her character; yet so thoroughly had she made herself felt by him as a simple, natural, most affectionate, and guileless creature, that the image now held up by Professor Baglioni looked as strange and incredible as if it were not in accordance with his own original conception. True, there were ugly recollections connected with his first glimpses of the beautiful girl; he could not quite forget the bouquet that withered in her grasp, and the insect that perished amid the sunny air, by no ostensible agency save the fragrance of her breath. These incidents, however, dissolving in the pure light of her character, had no longer the efficacy of facts, but were acknowledged as mistaken fantasies, by whatever testimony of the senses they might appear to be substantiated. There is something truer and more real than what we can see with the eyes and touch with the finger. On such better evidence had Giovanni founded his confidence in Beatrice, though rather by the necessary force of her high attributes than by any deep and generous faith on his part. But now his spirit was incapable of sustaining itself at the height to which the early enthusiasm of passion had exalted it; he fell down, grovelling among earthly doubts, and defiled therewith the pure whiteness of Beatrice's image. Not that he gave her up; he did but distrust. He resolved to institute some decisive test that should satisfy him, once for all, whether there were those dreadful peculiarities in her physical nature which could not be supposed to exist without some corresponding monstrosity of soul. His eyes, gazing down afar, might have deceived him as to the lizard, the insect, and the flowers; but if he could witness, at the distance of a few paces, the sudden blight of one fresh and healthful flower in Beatrice's hand, there would be room for no further question. With this idea he hastened to the florist's and purchased a bouquet that was still gemmed with the morning dew-drops.

< 21 >
It was now the customary hour of his daily interview with Beatrice. Before descending into the garden, Giovanni failed not to look at his figure in the mirror, -- a vanity to be expected in a beautiful young man, yet, as displaying itself at that troubled and feverish moment, the token of a certain shallowness of feeling and insincerity of character. He did gaze, however, and said to himself that his features had never before possessed so rich a grace, nor his eyes such vivacity, nor his cheeks so warm a hue of superabundant life.
"At least," thought he, "her poison has not yet insinuated itself into my system. I am no flower to perish in her grasp."
With that thought he turned his eyes on the bouquet, which he had never once laid aside from his hand. A thrill of indefinable horror shot through his frame on perceiving that those dewy flowers were already beginning to droop; they wore the aspect of things that had been fresh and lovely yesterday. Giovanni grew white as marble, and stood motionless before the mirror, staring at his own reflection there as at the likeness of something frightful. He remembered Baglioni's remark about the fragrance that seemed to pervade the chamber. It must have been the poison in his breath! Then he shuddered -- shuddered at himself. Recovering from his stupor, he began to watch with curious eye a spider that was busily at work hanging its web from the antique cornice of the apartment, crossing and recrossing the artful system of interwoven lines -- as vigorous and active a spider as ever dangled from an old ceiling. Giovanni bent towards the insect, and emitted a deep, long breath. The spider suddenly ceased its toil; the web vibrated with a tremor originating in the body of the small artisan. Again Giovanni sent forth a breath, deeper, longer, and imbued with a venomous feeling out of his heart: he knew not whether he were wicked, or only desperate. The spider made a convulsive gripe with his limbs and hung dead across the window.
"Accursed! accursed!" muttered Giovanni, addressing himself. "Hast thou grown so poisonous that this deadly insect perishes by thy breath?"
At that moment a rich, sweet voice came floating up from the garden
"Giovanni! Giovanni! It is past the hour! Why tarriest thou? Come down!"

< 22 >
"Yes," muttered Giovanni again. "She is the only being whom my breath may not slay! Would that it might!"
He rushed down, and in an instant was standing before the bright and loving eyes of Beatrice. A moment ago his wrath and despair had been so fierce that he could have desired nothing so much as to wither her by a glance; but with her actual presence there came influences which had too real an existence to be at once shaken off: recollections of the delicate and benign power of her feminine nature, which had so often enveloped him in a religious calm; recollections of many a holy and passionate outgush of her heart, when the pure fountain had been unsealed from its depths and made visible in its transparency to his mental eye; recollections which, had Giovanni known how to estimate them, would have assured him that all this ugly mystery was but an earthly illusion, and that, whatever mist of evil might seem to have gathered over her, the real Beatrice was a heavenly angel. Incapable as he was of such high faith, still her presence had not utterly lost its magic. Giovanni's rage was quelled into an aspect of sullen insensibility. Beatrice, with a quick spiritual sense, immediately felt that there was a gulf of blackness between them which neither he nor she could pass. They walked on together, sad and silent, and came thus to the marble fountain and to its pool of water on the ground, in the midst of which grew the shrub that bore gem-like blossoms. Giovanni was affrighted at the eager enjoyment -- the appetite, as it were -- with which he found himself inhaling the fragrance of the flowers.
"Beatrice," asked he, abruptly, "whence came this shrub?"
"My father created it," answered she, with simplicity.
"Created it! created it!" repeated Giovanni. "What mean you, Beatrice?"
"He is a man fearfully acquainted with the secrets of Nature," replied Beatrice; "and, at the hour when I first drew breath, this plant sprang from the soil, the offspring of his science, of his intellect, while I was but his earthly child. Approach it not!" continued she, observing with terror that Giovanni was drawing nearer to the shrub. "It has qualities that you little dream of. But I, dearest Giovanni, -- I grew up and blossomed with the plant and was nourished with its breath. It was my sister, and I loved it with a human affection; for, alas! -- hast thou not suspected it? -- there was an awful doom."

< 23 >
Here Giovanni frowned so darkly upon her that Beatrice paused and trembled. But her faith in his tenderness reassured her, and made her blush that she had doubted for an instant.
"There was an awful doom," she continued, "the effect of my father's fatal love of science, which estranged me from all society of my kind. Until Heaven sent thee, dearest Giovanni, oh, how lonely was thy poor Beatrice!"
"Was it a hard doom?" asked Giovanni, fixing his eyes upon her.
"Only of late have I known how hard it was," answered she, tenderly. "Oh, yes; but my heart was torpid, and therefore quiet."
Giovanni's rage broke forth from his sullen gloom like a lightning flash out of a dark cloud.
"Accursed one!" cried he, with venomous scorn and anger. "And, finding thy solitude wearisome, thou hast severed me likewise from all the warmth of life and enticed me into thy region of unspeakable horror!"
"Giovanni!" exclaimed Beatrice, turning her large bright eyes upon his face. The force of his words had not found its way into her mind; she was merely thunderstruck.
"Yes, poisonous thing!" repeated Giovanni, beside himself with passion. "Thou hast done it! Thou hast blasted me! Thou hast filled my veins with poison! Thou hast made me as hateful, as ugly, as loathsome and deadly a creature as thyself -- a world's wonder of hideous monstrosity! Now, if our breath be happily as fatal to ourselves as to all others, let us join our lips in one kiss of unutterable hatred, and so die!"
"What has befallen me?" murmured Beatrice, with a low moan out of her heart. "Holy Virgin, pity me, a poor heart-broken child!"
"Thou, -- dost thou pray?" cried Giovanni, still with the same fiendish scorn. "Thy very prayers, as they come from thy lips, taint the atmosphere with death. Yes, yes; let us pray! Let us to church and dip our fingers in the holy water at the portal! They that come after us will perish as by a pestilence! Let us sign crosses in the air! It will be scattering curses abroad in the likeness of holy symbols!"
"Giovanni," said Beatrice, calmly, for her grief was beyond passion, "why dost thou join thyself with me thus in those terrible words? I, it is true, am the horrible thing thou namest me. But thou, -- what hast thou to do, save with one other shudder at my hideous misery to go forth out of the garden and mingle with thy race, and forget there ever crawled on earth such a monster as poor Beatrice?"

< 24 >
"Dost thou pretend ignorance?" asked Giovanni, scowling upon her. "Behold! this power have I gained from the pure daughter of Rappaccini.
There was a swarm of summer insects flitting through the air in search of the food promised by the flower odors of the fatal garden. They circled round Giovanni's head, and were evidently attracted towards him by the same influence which had drawn them for an instant within the sphere of several of the shrubs. He sent forth a breath among them, and smiled bitterly at Beatrice as at least a score of the insects fell dead upon the ground.
"I see it! I see it!" shrieked Beatrice. "It is my father's fatal science! No, no, Giovanni; it was not I! Never! never! I dreamed only to love thee and be with thee a little time, and so to let thee pass away, leaving but thine image in mine heart; for, Giovanni, believe it, though my body be nourished with poison, my spirit is God's creature, and craves love as its daily food. But my father, -- he has united us in this fearful sympathy. Yes; spurn me, tread upon me, kill me! Oh, what is death after such words as thine? But it was not I. Not for a world of bliss would I have done it."
Giovanni's passion had exhausted itself in its outburst from his lips. There now came across him a sense, mournful, and not without tenderness, of the intimate and peculiar relationship between Beatrice and himself. They stood, as it were, in an utter solitude, which would be made none the less solitary by the densest throng of human life. Ought not, then, the desert of humanity around them to press this insulated pair closer together? If they should be cruel to one another, who was there to be kind to them? Besides, thought Giovanni, might there not still be a hope of his returning within the limits of ordinary nature, and leading Beatrice, the redeemed Beatrice, by the hand? O, weak, and selfish, and unworthy spirit, that could dream of an earthly union and earthly happiness as possible, after such deep love had been so bitterly wronged as was Beatrice's love by Giovanni's blighting words! No, no; there could be no such hope. She must pass heavily, with that broken heart, across the borders of Time -- she must bathe her hurts in some fount of paradise, and forget her grief in the light of immortality, and THERE be well.

< 25 >
But Giovanni did not know it.
"Dear Beatrice," said he, approaching her, while she shrank away as always at his approach, but now with a different impulse, "dearest Beatrice, our fate is not yet so desperate. Behold! there is a medicine, potent, as a wise physician has assured me, and almost divine in its efficacy. It is composed of ingredients the most opposite to those by which thy awful father has brought this calamity upon thee and me. It is distilled of blessed herbs. Shall we not quaff it together, and thus be purified from evil?"
"Give it me!" said Beatrice, extending her hand to receive the little silver vial which Giovanni took from his bosom. She added, with a peculiar emphasis, "I will drink; but do thou await the result."
She put Baglioni's antidote to her lips; and, at the same moment, the figure of Rappaccini emerged from the portal and came slowly towards the marble fountain. As he drew near, the pale man of science seemed to gaze with a triumphant expression at the beautiful youth and maiden, as might an artist who should spend his life in achieving a picture or a group of statuary and finally be satisfied with his success. He paused; his bent form grew erect with conscious power; he spread out his hands over them in the attitude of a father imploring a blessing upon his children; but those were the same hands that had thrown poison into the stream of their lives. Giovanni trembled. Beatrice shuddered nervously, and pressed her hand upon her heart.
"My daughter," said Rappaccini, "thou art no longer lonely in the world. Pluck one of those precious gems from thy sister shrub and bid thy bridegroom wear it in his bosom. It will not harm him now. My science and the sympathy between thee and him have so wrought within his system that he now stands apart from common men, as thou dost, daughter of my pride and triumph, from ordinary women. Pass on, then, through the world, most dear to one another and dreadful to all besides!"
"My father," said Beatrice, feebly, -- and still as she spoke she kept her hand upon her heart, --"wherefore didst thou inflict this miserable doom upon thy child?"
"Miserable!" exclaimed Rappaccini. "What mean you, foolish girl? Dost thou deem it misery to be endowed with marvellous gifts against which no power nor strength could avail an enemy -- misery, to be able to quell the mightiest with a breath -- misery, to be as terrible as thou art beautiful? Wouldst thou, then, have preferred the condition of a weak woman, exposed to all evil and capable of none?"

< 26 >
"I would fain have been loved, not feared," murmured Beatrice, sinking down upon the ground. "But now it matters not. I am going, father, where the evil which thou hast striven to mingle with my being will pass away like a dream-like the fragrance of these poisonous flowers, which will no longer taint my breath among the flowers of Eden. Farewell, Giovanni! Thy words of hatred are like lead within my heart; but they, too, will fall away as I ascend. Oh, was there not, from the first, more poison in thy nature than in mine?"
To Beatrice, -- so radically had her earthly part been wrought upon by Rappaccini's skill, -- as poison had been life, so the powerful antidote was death; and thus the poor victim of man's ingenuity and of thwarted nature, and of the fatality that attends all such efforts of perverted wisdom, perished there, at the feet of her father and Giovanni. Just at that moment Professor Pietro Baglioni looked forth from the window, and called loudly, in a tone of triumph mixed with horror, to the thunderstricken man of science,"Rappaccini! Rappaccini! and is THIS the upshot of your experiment!"

Amy Foster

Kennedy is a country doctor, and lives in Colebrook, on the shores of Eastbay. The high ground rising abruptly behind the red roofs of the little town crowds the quaint High Street against the wall which defends it from the sea. Beyond the sea-wall there curves for miles in a vast and regular sweep the barren beach of shingle, with the village of Brenzett standing out darkly across the water, a spire in a clump of trees; and still further out the perpendicular column of a lighthouse, looking in the distance no bigger than a lead pencil, marks the vanishing-point of the land. The country at the back of Brenzett is low and flat, but the bay is fairly well sheltered from the seas, and occasionally a big ship, windbound or through stress of weather, makes use of the anchoring ground a mile and a half due north from you as you stand at the back door of the "Ship Inn" in Brenzett. A dilapidated windmill near by lifting its shattered arms from a mound no loftier than a rubbish heap, and a Martello tower squatting at the water's edge half a mile to the south of the Coastguard cottages, are familiar to the skippers of small craft. These are the official seamarks for the patch of trustworthy bottom represented on the Admiralty charts by an irregular oval of dots enclosing several figures six, with a tiny anchor engraved among them, and the legend "mud and shells" over all.
The brow of the upland overtops the square tower of the Colebrook Church. The slope is green and looped by a white road. Ascending along this road, you open a valley broad and shallow, a wide green trough of pastures and hedges merging inland into a vista of purple tints and flowing lines closing the view.
In this valley down to Brenzett and Colebrook and up to Darnford, the market town fourteen miles away, lies the practice of my friend Kennedy. He had begun life as surgeon in the Navy, and afterwards had been the companion of a famous traveler, in the days when there were continents with unexplored interiors. His papers on the fauna and flora made him known to scientific societies. And now he had come to a country practice - from choice. The penetrating power of his mind, acting like a corrosive fluid, had destroyed his ambition, I fancy. His intelligence is of a scientific order, of an investigating habit, and of that unappeasable curiosity which believes that there is a particle of a general truth in every mystery.

< 2 >
A good many years ago now, on my return from abroad, he invited me to stay with him. I came readily enough, and as he could not neglect his patients to keep me company, he took me on his rounds - thirty miles or so of an afternoon, sometimes. I waited for him on the roads; the horse reached after the leafy twigs, and, sitting in the dogcart, I could hear Kennedy's laugh through the half-open door left open of some cottage. He had a big, hearty laugh that would have fitted a man twice his size, a brisk manner, a bronzed face, and a pair of gray, profoundly attentive eyes. He had the talent of making people talk to him freely, and an inexhaustible patience in listening to their tales.
One day, as we trotted out of a large village into a shady bit of road, I saw on our left hand a low, black cottage, with diamond panes in the windows, a creeper on the end wall, a roof of shingle, and some roses climbing on the rickety trellis-work of the tiny porch. Kennedy pulled up to a walk. A woman, in full sunlight, was throwing a dripping blanket over a line stretched between two old apple-trees. And as the bobtailed, long-necked chestnut, trying to get his head, jerked the left hand, covered by a thick dogskin glove, the doctor raised his voice over the hedge: "How's your child, Amy?"
I had the time to see her dull face, red, not with a mantling blush, but as if her flat cheeks had been vigorously slapped, and to take in the squat figure, the scanty, dusty brown hair drawn into a tight knot at the back of the head. She looked quite young. With a distinct catch in her breath, her voice sounded low and timid.
"He's well, thank you."
We trotted again. "A young patient of yours," I said; and the doctor, flicking the chestnut absently, muttered, "Her husband used to be."
"She seems a dull creature," I remarked listlessly.
"Precisely," said Kennedy. "She is very passive. It's enough to look at the red hands hanging at the end of those short arms, at those slow, prominent brown eyes, to know the inertness of her mind - an inertness that one would think made it everlastingly safe from all the surprises of imagination. And yet which of us is safe? At any rate, such as you see her, she had enough imagination to fall in love. She's the daughter of one Isaac Foster, who from a small farmer has sunk into a shepherd; the beginning of his misfortunes dating from his runaway marriage with the cook of his widowed father - a well-to-do, apoplectic grazier, who passionately struck his name off his will, and had been heard to utter threats against his life. But this old affair, scandalous enough to serve as a motive for a Greek tragedy, arose from the similarity of their characters. There are other tragedies, less scandalous and of a subtler poignancy, arising from irreconcilable differences and from that fear of the Incomprehensible that hangs over all our heads - over all our heads..."

< 3 >
The tired chestnut dropped into a walk; and the rim of the sun, all red in a speckless sky, touched familiarly the smooth top of a ploughed rise near the road as I had seen it times innumerable touch the distant horizon of the sea. The uniform brownness of the harrowed field glowed with a rosy tinge, as though the powdered clods had sweated out in minute pearls of blood the toil of uncounted ploughmen. From the edge of a copse a wagon with two horses was rolling gently along the ridge. Raised above our heads upon the sky-line, it loomed up against the red sun, triumphantly big, enormous, like a chariot of giants drawn by two slow-stepping steeds of legendary proportions. And the clumsy figure of the man plodding at the head of the leading horse projected itself on the background of the Infinite with a heroic uncouthness. The end of his carter's whip quivered high up in the blue. Kennedy discoursed.
"She's the eldest of a large family. At the age of fifteen they put her out to service at the New Barns Farm. I attended Mrs. Smith, the tenant's wife, and saw that girl there for the first time. Mrs. Smith, a genteel person with a sharp nose, made her put on a black dress every afternoon. I don't know what induced me to notice her at all. There are faces that call your attention by a curious want of definiteness in their whole aspect, as, walking in a mist, you peer attentively at a vague shape which, after all, may be nothing more curious or strange than a signpost. The only peculiarity I perceived in her was a slight hesitation in her utterance, a sort of preliminary stammer which passes away with the first word. When sharply spoken to, she was apt to lose her head at once; but her heart was of the kindest. She had never been heard to express a dislike for a single human being, and she was tender to every living creature. She was devoted to Mrs. Smith, to Mr. Smith, to their dogs, cats, canaries; and as to Mrs. Smith's gray parrot, its peculiarities exercised upon her a positive fascination. Nevertheless, when that outlandish bird, attacked by the cat, shrieked for help in human accents, she ran out into the yard stopping her ears, and did not prevent the crime. For Mrs. Smith this was another evidence of her stupidity; on the other hand, her want of charm, in view of Smith's well-known frivolousness, was a great recommendation. Her short-sighted eyes would swim with pity for a poor mouse in a trap, and she had been seen once by some boys on her knees in the wet grass helping a toad in difficulties. If it's true, as some German fellow has said, that without phosphorus there is no thought, it is still more true that there is no kindness of heart without a certain amount of imagination. She had some. She had even more than is necessary to understand suffering and to be moved by pity. She fell in love under circumstances that leave no room for doubt in the matter; for you need imagination to form a notion of beauty at all, and still more to discover your ideal in an unfamiliar shape.

< 4 >
"How this aptitude came to her, what it did feed upon, is an inscrutable mystery. She was born in the village, and had never been further away from it than Colebrook or perhaps Darnford. She lived for four years with the Smiths. New Barns is an isolated farmhouse a mile away from the road, and she was content to look day after day at the same fields, hollows, rises; at the trees and the hedgerows; at the faces of the four men about the farm, always the same - day after day, month after month, year after year. She never showed a desire for conversation, and, as it seemed to me, she did not know how to smile. Sometimes of a fine Sunday afternoon she would put on her best dress, a pair of stout boots, a large gray hat trimmed with a black feather (I've seen her in that finery), seize an absurdly slender parasol, climb over two stiles, tramp over three fields and along two hundred yards of road - never further. There stood Foster's cottage. She would help her mother to give their tea to the younger children, wash up the crockery, kiss the little ones, and go back to the farm. That was all. All the rest, all the change, all the relaxation. She never seemed to wish for anything more. And then she fell in love. She fell in love silently, obstinately - perhaps helplessly. It came slowly, but when it came it worked like a powerful spell; it was love as the Ancients understood it: an irresistible and fateful impulse - a possession! Yes, it was in her to become haunted and possessed by a face, by a presence, fatally, as though she had been a pagan worshipper of form under a joyous sky - and to be awakened at last from that mysterious forgetfulness of self, from that enchantment, from that transport, by a fear resembling the unaccountable terror of a brute..."
With the sun hanging low on its western limit, the expanse of the grass-lands framed in the counter-scarps of the rising ground took on a gorgeous and somber aspect. A sense of penetrating sadness, like that inspired by a grave strain of music, disengaged itself from the silence of the fields. The men we met walked past slow, unsmiling, with downcast eyes, as if the melancholy of an over-burdened earth had weighted their feet, bowed their shoulders, borne down their glances.

< 5 >
"Yes," said the doctor to my remark, "one would think the earth is under a curse, since of all her children these that cling to her the closest are uncouth in body and as leaden of gait as if their very hearts were loaded with chains. But here on this same road you might have seen amongst these heavy men a being lithe, supple, and long-limbed, straight like a pine with something striving upwards in his appearance as though the heart within him had been buoyant. Perhaps it was only the force of the contrast, but when he was passing one of these villagers here, the soles of his feet did not seem to me to touch the dust of the road. He vaulted over the stiles, paced these slopes with a long elastic stride that made him noticeable at a great distance, and had lustrous black eyes. He was so different from the mankind around that, with his freedom of movement, his soft - a little startled - glance, his olive complexion and graceful bearing, his humanity suggested to me the nature of a woodland creature. He came from there."
The doctor pointed with his whip, and from the summit of the descent seen over the rolling tops of the trees in a park by the side of the road, appeared the level sea far below us, like the floor of an immense edifice inlaid with bands of dark ripple, with still trails of glitter, ending in a belt of glassy water at the foot of the sky. The light blur of smoke, from an invisible steamer, faded on the great clearness of the horizon like the mist of a breath on a mirror; and, inshore, the white sails of a coaster, with the appearance of disentangling themselves slowly from under the branches, floated clear of the foliage of the trees.
"Shipwrecked in the bay?" I said.
"Yes; he was a castaway. A poor emigrant from Central Europe bound to America and washed ashore here in a storm. And for him, who knew nothing of the earth, England was an undiscovered country. It was some time before he learned its name; and for all I know he might have expected to find wild beasts or wild men here, when, crawling in the dark over the sea-wall, he rolled down the other side into a dyke, where it was another miracle he didn't get drowned. But he struggled instinctively like an animal under a net, and this blind struggle threw him out into a field. He must have been, indeed, of a tougher fiber than he looked to withstand without expiring such buffetings, the violence of his exertions, and so much fear. Later on, in his broken English that resembled curiously the speech of a young child, he told me himself that he put his trust in God, believing he was no longer in this world. And truly - he would add - how was he to know? He fought his way against the rain and the gale on all fours, and crawled at last among some sheep huddled close under the lee of a hedge. They ran off in all directions, bleating in the darkness, and he welcomed the first familiar sound he heard on these shores. It must have been two in the morning then. And this is all we know of the manner of his landing, though he did not arrive unattended by any means. Only his grisly company did not begin to come ashore till much later in the day..."

< 6 >
The doctor gathered the reins, clicked his tongue; we trotted down the hill. Then turning, almost directly, a sharp corner into the High Street, we rattled over the stones and were home.
Late in the evening Kennedy, breaking a spell of moodiness that had come over him, returned to the story. Smoking his pipe, he paced the long room from end to end. A reading-lamp concentrated all its light upon the papers on his desk; and, sitting by the open window, I saw, after the windless, scorching day, the frigid splendor of a hazy sea lying motionless under the moon. Not a whisper, not a splash, not a stir of the shingle, not a footstep, not a sigh came up from the earth below - never a sign of life but the scent of climbing jasmine; and Kennedy's voice, speaking behind me, passed through the wide casement, to vanish outside in a chill and sumptuous stillness.
"... The relations of shipwrecks in the olden time tell us of much suffering. Often the castaways were only saved from drowning to die miserably from starvation on a barren coast; others suffered violent death or else slavery, passing through years of precarious existence with people to whom their strangeness was an object of suspicion, dislike or fear. We read about these things, and they are very pitiful. It is indeed hard upon a man to find himself a lost stranger, helpless, incomprehensible, and of a mysterious origin, in some obscure corner of the earth. Yet amongst all the adventurers shipwrecked in all the wild parts of the world there is not one, it seems to me, that ever had to suffer a fate so simply tragic as the man I am speaking of, the most innocent of adventurers cast out by the sea in the bight of this bay, almost within sight from this very window.
"He did not know the name of his ship. Indeed, in the course of time we discovered he did not even know that ships had names - 'like Christian people'; and when, one day, from the top of the Talfourd Hill, he beheld the sea lying open to his view, his eyes roamed afar, lost in an air of wild surprise, as though he had never seen such a sight before. And probably he had not. As far as I could make out, he had been hustled together with many others on board an emigrant-ship lying at the mouth of the Elbe, too bewildered to take note of his surroundings, too weary to see anything, too anxious to care. They were driven below into the 'tweendeck and battened down from the very start. It was a low timber dwelling - he would say - with wooden beams overhead, like the houses in his country, but you went into it down a ladder. It was very large, very cold, damp and somber, with places in the manner of wooden boxes where people had to sleep, one above another, and it kept on rocking all ways at once all the time. He crept into one of these boxes and laid down there in the clothes in which he had left his home many days before, keeping his bundle and his stick by his side. People groaned, children cried, water dripped, the lights went out, the walls of the place creaked, and everything was being shaken so that in one's little box one dared not lift one's head. He had lost touch with his only companion (a young man from the same valley, he said), and all the time a great noise of wind went on outside and heavy blows fell - boom! boom! An awful sickness overcame him, even to the point of making him neglect his prayers. Besides, one could not tell whether it was morning or evening. It seemed always to be night in that place.

< 7 >
"Before that he had been travelling a long, long time on the iron track. He looked out of the window, which had a wonderfully clear glass in it, and the trees, the houses, the fields, and the long roads seemed to fly round and round about him till his head swam. He gave me to understand that he had on his passage beheld uncounted multitudes of people - whole nations - all dressed in such clothes as the rich wear. Once he was made to get out of the carriage, and slept through a night on a bench in a house of bricks with his bundle under his head; and once for many hours he had to sit on a floor of flat stones dozing, with his knees up and with his bundle between his feet. There was a roof over him, which seemed made of glass, and was so high that the tallest mountain-pine he had ever seen would have had room to grow under it. Steam-machines rolled in at one end and out at the other. People swarmed more than you can see on a feast-day round the miraculous Holy Image in the yard of the Carmelite Convent down in the plains where, before he left his home, he drove his mother in a wooden cart - a pious old woman who wanted to offer prayers and make a vow for his safety. He could not give me an idea of how large and lofty and full of noise and smoke and gloom, and clang of iron, the place was, but some one had told him it was called Berlin. Then they rang a bell, and another steam-machine came in, and again he was taken on and on through a land that wearied his eyes by its flatness without a single bit of a hill to be seen anywhere. One more night he spent shut up in a building like a good stable with a litter of straw on the floor, guarding his bundle amongst a lot of men, of whom not one could understand a single word he said. In the morning they were all led down to the stony shores of an extremely broad muddy river, flowing not between hills but between houses that seemed immense. There was a steammachine that went on the water, and they all stood upon it packed tight, only now there were with them many women and children who made much noise. A cold rain fell, the wind blew in his face; he was wet through, and his teeth chattered. He and the young man from the same valley took each other by the hand.

< 8 >
"They thought they were being taken to America straight away, but suddenly the steam-machine bumped against the side of a thing like a house on the water. The walls were smooth and black, and there uprose, growing from the roof as it were, bare trees in the shape of crosses, extremely high. That's how it appeared to him then, for he had never seen a ship before. This was the ship that was going to swim all the way to America. Voices shouted, everything swayed; there was a ladder dipping up and down. He went up on his hands and knees in mortal fear of falling into the water below, which made a great splashing. He got separated from his companion, and when he descended into the bottom of that ship his heart seemed to melt suddenly within him.
"It was then also, as he told me, that he lost contact for good and all with one of those three men who the summer before had been going about through all the little towns in the foothills of his country. They would arrive on market days driving in a peasant's cart, and would set up an office in an inn or some other Jew's house. There were three of them, of whom one with a long beard looked venerable; and they had red cloth collars round their necks and gold lace on their sleeves like Government officials. They sat proudly behind a long table; and in the next room, so that the common people shouldn't hear, they kept a cunning telegraph machine, through which they could talk to the Emperor of America. The fathers hung about the door, but the young men of the mountains would crowd up to the table asking many questions, for there was work to be got all the year round at three dollars a day in America, and no military service to do.
"But the American Kaiser would not take everybody. Oh, no! He himself had a great difficulty in getting accepted, and the venerable man in uniform had to go out of the room several times to work the telegraph on his behalf. The American Kaiser engaged him at last at three dollars, he being young and strong. However, many able young men backed out, afraid of the great distance; besides, those only who had some money could be taken. There were some who sold their huts and their land because it cost a lot of money to get to America; but then, once there, you had three dollars a day, and if you were clever you could find places where true gold could be picked up on the ground. His father's house was getting over full. Two of his brothers were married and had children. He promised to send money home from America by post twice a year. His father sold an old cow, a pair of piebald mountain ponies of his own raising, and a cleared plot of fair pasture land on the sunny slope of a pine-clad pass to a Jew inn-keeper in order to pay the people of the ship that took men to America to get rich in a short time.

< 9 >
"He must have been a real adventurer at heart, for how many of the greatest enterprises in the conquest of the earth had for their beginning just such a bargaining away of the paternal cow for the mirage or true gold far away! I have been telling you more or less in my own words what I learned fragmentarily in the course of two or three years, during which I seldom missed an opportunity of a friendly chat with him. He told me this story of his adventure with many flashes of white teeth and lively glances of black eyes, at first in a sort of anxious baby-talk, then, as he acquired the language, with great fluency, but always with that singing, soft, and at the same time vibrating intonation that instilled a strangely penetrating power into the sound of the most familiar English words, as if they had been the words of an unearthly language. And he always would come to an end, with many emphatic shakes of his head, upon that awful sensation of his heart melting within him directly he set foot on board that ship. Afterwards there seemed to come for him a period of blank ignorance, at any rate as to facts. No doubt he must have been abominably sea-sick and abominably unhappy - this soft and passionate adventurer, taken thus out of his knowledge, and feeling bitterly as he lay in his emigrant bunk his utter loneliness; for his was a highly sensitive nature. The next thing we know of him for certain is that he had been hiding in Hammond's pig-pound by the side of the road to Norton six miles, as the crow flies, from the sea. Of these experiences he was unwilling to speak: they seemed to have seared into his soul a somber sort of wonder and indignation. Through the rumors of the country-side, which lasted for a good many days after his arrival, we know that the fishermen of West Colebrook had been disturbed and startled by heavy knocks against the walls of weatherboard cottages, and by a voice crying piercingly strange words in the night. Several of them turned out even, but, no doubt, he had fled in sudden alarm at their rough angry tones hailing each other in the darkness. A sort of frenzy must have helped him up the steep Norton hill. It was he, no doubt, who early the following morning had been seen lying (in a swoon, I should say) on the roadside grass by the Brenzett carrier, who actually got down to have a nearer look, but drew back, intimidated by the perfect immobility, and by something queer in the aspect of that tramp, sleeping so still under the showers. As the day advanced, some children came dashing into school at Norton in such a fright that the schoolmistress went out and spoke indignantly to a 'horrid-looking man' on the road. He edged away, hanging his head, for a few steps, and then suddenly ran off with extraordinary fleetness. The driver of Mr. Bradley's milk-cart made no secret of it that he had lashed with his whip at a hairy sort of gypsy fellow who, jumping up at a turn of the road by the Vents, made a snatch at the pony's bridle. And he caught him a good one too, right over the face, he said, that made him drop down in the mud a jolly sight quicker than he had jumped up; but it was a good half-a-mile before he could stop the pony. Maybe that in his desperate endeavors to get help, and in his need to get in touch with some one, the poor devil had tried to stop the cart. Also three boys confessed afterwards to throwing stones at a funny tramp, knocking about all wet and muddy, and, it seemed, very drunk, in the narrow deep lane by the limekilns. All this was the talk of three villages for days; but we have Mrs. Finn's (the wife of Smith's wagoner) unimpeachable testimony that she saw him get over the low wall of Hammond's pig-pound and lurch straight at her, babbling aloud in a voice that was enough to make one die of fright. Having the baby with her in a perambulator, Mrs. Finn called out to him to go away, and as he persisted in coming nearer, she hit him courageously with her umbrella over the head and, without once looking back, ran like the wind with the perambulator as far as the first house in the village. She stopped then, out of breath, and spoke to old Lewis, hammering there at a heap of stones; and the old chap, taking off his immense black wire goggles, got up on his shaky legs to look where she pointed. Together they followed with their eyes the figure of the man running over a field; they saw him fall down, pick himself up, and run on again, staggering and waving his long arms above his head, in the direction of the New Barns Farm. From that moment he is plainly in the toils of his obscure and touching destiny. There is no doubt after this of what happened to him. All is certain now: Mrs. Smith's intense terror; Amy Foster's stolid conviction held against the other's nervous attack, that the man 'meant no harm'; Smith's exasperation (on his return from Darnford Market) at finding the dog barking himself into a fit, the back-door locked, his wife in hysterics; and all for an unfortunate dirty tramp, supposed to be even then lurking in his stackyard. Was he? He would teach him to frighten women.

< 10 >
"Smith is notoriously hot-tempered, but the sight of some nondescript and miry creature sitting cross-legged amongst a lot of loose straw, and swinging itself to and fro like a bear in a cage, made him pause. Then this tramp stood up silently before him, one mass of mud and filth from head to foot. Smith, alone amongst his stacks with this apparition, in the stormy twilight ringing with the infuriated barking of the dog, felt the dread of an inexplicable strangeness. But when that being, parting with his black hands the long matted locks that hung before his face, as you part the two halves of a curtain, looked out at him with glistening, wild, black-and-white eyes, the weirdness of this silent encounter fairly staggered him. He had admitted since (for the story has been a legitimate subject of conversation about here for years) that he made more than one step backwards. Then a sudden burst of rapid, senseless speech persuaded him at once that he had to do with an escaped lunatic. In fact, that impression never wore off completely. Smith has not in his heart given up his secret conviction of the man's essential insanity to this very day.
"As the creature approached him, jabbering in a most discomposing manner, Smith (unaware that he was being addressed as 'gracious lord,' and adjured in God's name to afford food and shelter) kept on speaking firmly but gently to it, and retreating all the time into the other yard. At last, watching his chance, by a sudden charge he bundled him headlong into the wood-lodge, and instantly shot the bolt. Thereupon he wiped his brow, though the day was cold. He had done his duty to the community by shutting up a wandering and probably dangerous maniac. Smith isn't a hard man at all, but he had room in his brain only for that one idea of lunacy. He was not imaginative enough to ask himself whether the man might not be perishing with cold and hunger. Meantime, at first, the maniac made a great deal of noise in the lodge. Mrs. Smith was screaming upstairs, where she had locked herself in her bedroom; but Amy Foster sobbed piteously at the kitchen door, wringing her hands and muttering, 'Don't! don't!' I daresay Smith had a rough time of it that evening with one noise and another, and this insane, disturbing voice crying obstinately through the door only added to his irritation. He couldn't possibly have connected this troublesome lunatic with the sinking of a ship in Eastbay, of which there had been a rumor in the Darnford market-place. And I daresay the man inside had been very near to insanity on that night. Before his excitement collapsed and he became unconscious he was throwing himself violently about in the dark, rolling on some dirty sacks, and biting his fists with rage, cold, hunger, amazement, and despair.

< 11 >
"He was a mountaineer of the eastern range of the Carpathians, and the vessel sunk the night before in Eastbay was the Hamburg emigrant-ship Herzogin Sophia-Dorothea, of appalling memory.
"A few months later we could read in the papers the accounts of the bogus 'Emigration Agencies' among the Sclavonian peasantry in the more remote provinces of Austria. The object of these scoundrels was to get hold of the poor ignorant people's homesteads, and they were in league with the local usurers. They exported their victims through Hamburg mostly. As to the ship, I had watched her out of this very window, reaching close - hauled under short canvas into the bay on a dark, threatening afternoon. She came to an anchor, correctly by the chart, off the Brenzett Coastguard station. I remember before the night fell looking out again at the outlines of her spars and rigging that stood out dark and pointed on a background of ragged, slaty clouds like another and a slighter spire to the left of the Brenzett church-tower. In the evening the wind rose. At midnight I could hear in my bed the terrific gusts and the sounds of a driving deluge.
"About that time the Coastguardmen thought they saw the lights of a steamer over the anchoring-ground. In a moment they vanished; but it is clear that another vessel of some sort had tried for shelter in the bay on that awful, blind night, had rammed the German ship amidships (a breach - as one of the divers told me afterwards - 'that you could sail a Thames barge through'), and then had gone out either scathless or damaged, who shall say; but had gone out, unknown, unseen, and fatal, to perish mysteriously at sea. Of her nothing ever came to light, and yet the hue and cry that was raised all over the world would have found her out if she had been in existence anywhere on the face of the waters.
"A completeness without a clue, and a stealthy silence as of a neatly executed crime, characterize this murderous disaster, which, as you may remember, had its gruesome celebrity. The wind would have prevented the loudest outcries from reaching the shore; there had been evidently no time for signals of distress. It was death without any sort of fuss. The Hamburg ship, filling all at once, capsized as she sank, and at daylight there was not even the end of a spar to be seen above water. She was missed, of course, and at first the Coastguardmen surmised that she had either dragged her anchor or parted her cable some time during the night, and had been blown out to sea. Then, after the tide turned, the wreck must have shifted a little and released some of the bodies, because a child - a little fair-haired child in a red frock - came ashore abreast of the Martello tower. By the afternoon you could see along three miles of beach dark figures with bare legs dashing in and out of the tumbling foam, and rough-looking men, women with hard faces, children, mostly fair-haired, were being carried, stiff and dripping, on stretchers, on wattles, on ladders, in a long procession past the door of the 'Ship Inn,' to be laid out in a row under the north wall of the Brenzett Church.

< 12 >
"Officially, the body of the little girl in the red frock is the first thing that came ashore from that ship. But I have patients amongst the seafaring population of West Colebrook, and, unofficially, I am informed that very early that morning two brothers, who went down to look after their cobble hauled up on the beach, found, a good way from Brenzett, an ordinary ship's hencoop lying high and dry on the shore, with eleven drowned ducks inside. Their families ate the birds, and the hencoop was split into firewood with a hatchet. It is possible that a man (supposing he happened to be on deck at the time of the accident) might have floated ashore on that hencoop. He might. I admit it is improbable, but there was the man - and for days, nay, for weeks - it didn't enter our heads that we had amongst us the only living soul that had escaped from that disaster. The man himself, even when he learned to speak intelligibly, could tell us very little. He remembered he had felt better (after the ship had anchored, I suppose), and that the darkness, the wind, and the rain took his breath away. This looks as if he had been on deck some time during that night. But we mustn't forget he had been taken out of his knowledge, that he had been sea-sick and battened down below for four days, that he had no general notion of a ship or of the sea, and therefore could have no definite idea of what was happening to him. The rain, the wind, the darkness he knew; he understood the bleating of the sheep, and he remembered the pain of his wretchedness and misery, his heartbroken astonishment that it was neither seen nor understood, his dismay at finding all the men angry and all the women fierce. He had approached them as a beggar, it is true, he said; but in his country, even if they gave nothing, they spoke gently to beggars. The children in his country were not taught to throw stones at those who asked for compassion. Smith's strategy overcame him completely. The wood-lodge presented the horrible aspect of a dungeon. What would be done to him next?... No wonder that Amy Foster appeared to his eyes with the aureole of an angel of light. The girl had not been able to sleep for thinking of the poor man, and in the morning, before the Smiths were up, she slipped out across the back yard. Holding the door of the wood-lodge ajar, she looked in and extended to him half a loaf of white bread - 'such bread as the rich eat in my country,' he used to say.

< 13 >
"At this he got up slowly from amongst all sorts of rubbish, stiff, hungry, trembling, miserable, and doubtful. 'Can you eat this?' she asked in her soft and timid voice. He must have taken her for a 'gracious lady.' He devoured ferociously, and tears were falling on the crust. Suddenly he dropped the bread, seized her wrist, and imprinted a kiss on her hand. She was not frightened. Through his forlorn condition she had observed that he was good-looking. She shut the door and walked back slowly to the kitchen. Much later on, she told Mrs. Smith, who shuddered at the bare idea of being touched by that creature.
"Through this act of impulsive pity he was brought back again within the pale of human relations with his new surroundings. He never forgot it - never.
"That very same morning old Mr. Swaffer (Smith's nearest neighbor) came over to give his advice, and ended by carrying him off. He stood, unsteady on his legs, meek, and caked over in half-dried mud, while the two men talked around him in an incomprehensible tongue. Mrs. Smith had refused to come downstairs till the madman was off the premises; Amy Foster, far from within the dark kitchen, watched through the open back door; and he obeyed the signs that were made to him to the best of his ability. But Smith was full of mistrust. 'Mind, sir! It may be all his cunning,' he cried repeatedly in a tone of warning. When Mr. Swaffer started the mare, the deplorable being sitting humbly by his side, through weakness, nearly fell out over the back of the high two-wheeled cart. Swaffer took him straight home. And it is then that I come upon the scene.
"I was called in by the simple process of the old man beckoning to me with his forefinger over the gate of his house as I happened to be driving past. I got down, of course.
"'I've got something here,' he mumbled, leading the way to an outhouse at a little distance from his other farm-buildings.
"It was there that I saw him first, in a long low room taken upon the space of that sort of coach-house. It was bare and whitewashed, with a small square aperture glazed with one cracked, dusty pane at its further end. He was lying on his back upon a straw pallet; they had given him a couple of horse-blankets, and he seemed to have spent the remainder of his strength in the exertion of cleaning himself. He was almost speechless; his quick breathing under the blankets pulled up to his chin, his glittering, restless black eyes reminded me of a wild bird caught in a snare. While I was examining him, old Swaffer stood silently by the door, passing the tips of his fingers along his shaven upper lip. I gave some directions, promised to send a bottle of medicine, and naturally made some inquiries.

< 14 >
"'Smith caught him in the stackyard at New Barns,' said the old chap in his deliberate, unmoved manner, and as if the other had been indeed a sort of wild animal. 'That's how I came by him. Quite a curiosity, isn't he? Now tell me, doctor - you've been all over the world - don't you think that's a bit of a Hindoo we've got hold of here.'
"I was greatly surprised. His long black hair scattered over the straw bolster contrasted with the olive pallor of his face. It occurred to me he might be a Basque. It didn't necessarily follow that he should understand Spanish; but I tried him with the few words I know, and also with some French. The whispered sounds I caught by bending my ear to his lips puzzled me utterly. That afternoon the young ladies from the Rectory (one of them read Goethe with a dictionary, and the other had struggled with Dante for years), coming to see Miss Swaffer, tried their German and Italian on him from the doorway. They retreated, just the least bit scared by the flood of passionate speech which, turning on his pallet, he let out at them. They admitted that the sound was pleasant, soft, musical - but, in conjunction with his looks perhaps, it was startling - so excitable, so utterly unlike anything one had ever heard. The village boys climbed up the bank to have a peep through the little square aperture. Everybody was wondering what Mr. Swaffer would do with him.
"He simply kept him.
"Swaffer would be called eccentric were he not so much respected. They will tell you that Mr. Swaffer sits up as late as ten o'clock at night to read books, and they will tell you also that he can write a check for two hundred pounds without thinking twice about it. He himself would tell you that the Swaffers had owned land between this and Darnford for these three hundred years. He must be eighty-five to-day, but he does not look a bit older than when I first came here. He is a great breeder of sheep, and deals extensively in cattle. He attends market days for miles around in every sort of weather, and drives sitting bowed low over the reins, his lank gray hair curling over the collar of his warm coat, and with a green plaid rug round his legs. The calmness of advanced age gives a solemnity to his manner. He is clean-shaved; his lips are thin and sensitive; something rigid and monarchal in the set of his features lends a certain elevation to the character of his face. He has been known to drive miles in the rain to see a new kind of rose in somebody's garden, or a monstrous cabbage grown by a cottager. He loves to hear tell of or to be shown something that he calls 'outlandish.' Perhaps it was just that outlandishness of the man which influenced old Swaffer. Perhaps it was only an inexplicable caprice. All I know is that at the end of three weeks I caught sight of Smith's lunatic digging in Swaffer's kitchen garden. They had found out he could use a spade. He dug barefooted.

< 15 >
"His black hair flowed over his shoulders. I suppose it was Swaffer who had given him the striped old cotton shirt; but he wore still the national brown cloth trousers (in which he had been washed ashore) fitting to the leg almost like tights; was belted with a broad leathern belt studded with little brass discs; and had never yet ventured into the village. The land he looked upon seemed to him kept neatly, like the grounds round a landowner's house; the size of the cart-horses struck him with astonishment; the roads resembled garden walks, and the aspect of the people, especially on Sundays, spoke of opulence. He wondered what made them so hardhearted and their children so bold. He got his food at the back door, carried it in both hands carefully to his outhouse, and, sitting alone on his pallet, would make the sign of the cross before he began. Beside the same pallet, kneeling in the early darkness of the short days, he recited aloud the Lord's Prayer before he slept. Whenever he saw old Swaffer he would bow with veneration from the waist, and stand erect while the old man, with his fingers over his upper lip, surveyed him silently. He bowed also to Miss Swaffer, who kept house frugally for her father - a broad-shouldered, big-boned woman of forty-five, with the pocket of her dress full of keys, and a gray, steady eye. She was Church - as people said (while her father was one of the trustees of the Baptist Chapel) - and wore a little steel cross at her waist. She dressed severely in black, in memory of one of the innumerable Bradleys of the neighborhood, to whom she had been engaged some twenty-five years ago - a young farmer who broke his neck out hunting on the eve of the wedding day. She had the unmoved countenance of the deaf, spoke very seldom, and her lips, thin like her father's, astonished one sometimes by a mysteriously ironic curl.
"These were the people to whom he owed allegiance, and an overwhelming loneliness seemed to fall from the leaden sky of that winter without sunshine. All the faces were sad. He could talk to no one, and had no hope of ever understanding anybody. It was as if these had been the faces of people from the other world-dead people - he used to tell me years afterwards. Upon my word, I wonder he did not go mad. He didn't know where he was. Somewhere very far from his mountains - somewhere over the water. Was this America, he wondered?

< 16 >
"If it hadn't been for the steel cross at Miss Swaffer's belt he would not, he confessed, have known whether he was in a Christian country at all. He used to cast stealthy glances at it, and feel comforted. There was nothing here the same as in his country! The earth and the water were different; there were no images of the Redeemer by the roadside. The very grass was different, and the trees. All the trees but the three old Norway pines on the bit of lawn before Swaffer's house, and these reminded him of his country. He had been detected once, after dusk, with his forehead against the trunk of one of them, sobbing, and talking to himself. They had been like brothers to him at that time, he affirmed. Everything else was strange. Conceive you the kind of an existence overshadowed, oppressed, by the everyday material appearances, as if by the visions of a nightmare. At night, when he could not sleep, he kept on thinking of the girl who gave him the first piece of bread he had eaten in this foreign land. She had been neither fierce nor angry, nor frightened. Her face he remembered as the only comprehensible face amongst all these faces that were as closed, as mysterious, and as mute as the faces of the dead who are possessed of a knowledge beyond the comprehension of the living. I wonder whether the memory of her compassion prevented him from cutting his throat. But there! I suppose I am an old sentimentalist, and forget the instinctive love of life which it takes all the strength of an uncommon despair to overcome.
"He did the work which was given him with an intelligence which surprised old Swaffer. By-and-by it was discovered that he could help at the ploughing, could milk the cows, feed the bullocks in the cattle-yard, and was of some use with the sheep. He began to pick up words, too, very fast; and suddenly, one fine morning in spring, he rescued from an untimely death a grand-child of old Swaffer.
"Swaffer's younger daughter is married to Willcox, a solicitor and the Town Clerk of Colebrook. Regularly twice a year they come to stay with the old man for a few days. Their only child, a little girl not three years old at the time, ran out of the house alone in her little white pinafore, and, toddling across the grass of a terraced garden, pitched herself over a low wall head first into the horsepond in the yard below.

< 17 >
"Our man was out with the wagoner and the plough in the field nearest to the house, and as he was leading the team round to begin a fresh furrow, he saw, through the gap of the gate, what for anybody else would have been a mere flutter of something white. But he had straight-glancing, quick, far-reaching eyes, that only seemed to flinch and lose their amazing power before the immensity of the sea. He was barefooted, and looking as outlandish as the heart of Swaffer could desire. Leaving the horses on the turn, to the inexpressible disgust of the wagoner he bounded off, going over the ploughed ground in long leaps, and suddenly appeared before the mother, thrust the child into her arms, and strode away.
"The pond was not very deep; but still, if he had not had such good eyes, the child would have perished - miserably suffocated in the foot or so of sticky mud at the bottom. Old Swaffer walked out slowly into the field, waited till the plough came over to his side, had a good look at him, and without saying a word went back to the house. But from that time they laid out his meals on the kitchen table; and at first, Miss Swaffer, all in black and with an inscrutable face, would come and stand in the doorway of the living-room to see him make a big sign of the cross before he fell to. I believe that from that day, too, Swaffer began to pay him regular wages.
"I can't follow step by step his development. He cut his hair short, was seen in the village and along the road going to and fro to his work like any other man. Children ceased to shout after him. He became aware of social differences, but remained for a long time surprised at the bare poverty of the churches among so much wealth. He couldn't understand either why they were kept shut up on week days. There was nothing to steal in them. Was it to keep people from praying too often? The rectory took much notice of him about that time, and I believe the young ladies attempted to prepare the ground for his conversion. They could not, however, break him of his habit of crossing himself, but he went so far as to take off the string with a couple of brass medals the size of a sixpence, a tiny metal cross, and a square sort of scapulary which he wore round his neck. He hung them on the wall by the side of his bed, and he was still to be heard every evening reciting the Lord's Prayer, in incomprehensible words and in a slow, fervent tone, as he had heard his old father do at the head of all the kneeling family, big and little, on every evening of his life. And though he wore corduroys at work, and a slop-made pepper-and-salt suit on Sundays, strangers would turn round to look after him on the road. His foreignness had a peculiar and indelible stamp. At last people became used to see him. But they never became used to him. His rapid, skimming walk; his swarthy complexion; his hat cocked on the left ear; his habit, on warm evenings, of wearing his coat over one shoulder, like a hussar's dolman; his manner of leaping over the stiles, not as a feat of agility, but in the ordinary course of progression - all these peculiarities were, as one may say, so many causes of scorn and offence to the inhabitants of the village. They wouldn't in their dinner hour lie flat on their backs on the grass to stare at the sky. Neither did they go about the fields screaming dismal tunes. Many times have I heard his high-pitched voice from behind the ridge of some sloping sheep-walk, a voice light and soaring, like a lark's, but with a melancholy human note, over our fields that hear only the song of birds. And I should be startled myself. Ah! He was different: innocent of heart, and full of good will, which nobody wanted, this castaway, that, like a man transplanted into another planet, was separated by an immense space from his past and by an immense ignorance from his future. His quick, fervent utterance positively shocked everybody. 'An excitable devil,' they called him. One evening, in the tap-room of the Coach and Horses (having drunk some whisky), he upset them all by singing a love song of his country. They hooted him down, and he was pained; but Preble, the lame wheelwright, and Vincent, the fat blacksmith, and the other notables too, wanted to drink their evening beer in peace. On another occasion he tried to show them how to dance. The dust rose in clouds from the sanded floor; he leaped straight up amongst the deal tables, struck his heels together, squatted on one heel in front of old Preble, shooting out the other leg, uttered wild and exulting cries, jumped up to whirl on one foot, snapping his fingers above his head - and a strange carter who was having a drink in there began to swear, and cleared out with his half-pint in his hand into the bar. But when suddenly he sprang upon a table and continued to dance among the glasses, the landlord interfered. He didn't want any 'acrobat tricks in the tap-room.' They laid their hands on him. Having had a glass or two, Mr. Swaffer's foreigner tried to expostulate: was ejected forcibly: got a black eye.

< 18 >
"I believe he felt the hostility of his human surroundings. But he was tough - tough in spirit, too, as well as in body. Only the memory of the sea frightened him, with that vague terror that is left by a bad dream. His home was far away; and he did not want now to go to America. I had often explained to him that there is no place on earth where true gold can be found lying ready and to be got for the trouble of the picking up. How then, he asked, could he ever return home with empty hands when there had been sold a cow, two ponies, and a bit of land to pay for his going? His eyes would fill with tears, and, averting them from the immense shimmer of the sea, he would throw himself face down on the grass. But sometimes, cocking his hat with a little conquering air, he would defy my wisdom. He had found his bit of true gold. That was Amy Foster's heart; which was 'a golden heart, and soft to people's misery,' he would say in the accents of overwhelming conviction.
"He was called Yanko. He had explained that this meant little John; but as he would also repeat very often that he was a mountaineer (some word sounding in the dialect of his country like Goorall) he got it for his surname. And this is the only trace of him that the succeeding ages may find in the marriage register of the parish. There it stands - Yanko Goorall - in the rector's handwriting. The crooked cross made by the castaway, a cross whose tracing no doubt seemed to him the most solemn part of the whole ceremony, is all that remains now to perpetuate the memory of his name.
"His courtship had lasted some time - ever since he got his precarious footing in the community. It began by his buying for Amy Foster a green satin ribbon in Darnford. This was what you did in his country. You bought a ribbon at a Jew's stall on a fair-day. I don't suppose the girl knew what to do with it, but he seemed to think that his honorable intentions could not be mistaken.
"It was only when he declared his purpose to get married that I fully understood how, for a hundred futile and inappreciable reasons, how - shall I say odious? - he was to all the countryside. Every old woman in the village was up in arms. Smith, coming upon him near the farm, promised to break his head for him if he found him about again. But he twisted his little black moustache with such a bellicose air and rolled such big, black fierce eyes at Smith that this promise came to nothing. Smith, however, told the girl that she must be mad to take up with a man who was surely wrong in his head. All the same, when she heard him in the gloaming whistle from beyond the orchard a couple of bars of a weird and mournful tune, she would drop whatever she had in her hand - she would leave Mrs. Smith in the middle of a sentence - and she would run out to his call. Mrs. Smith called her a shameless hussy. She answered nothing. She said nothing at all to anybody, and went on her way as if she had been deaf. She and I alone all in the land, I fancy, could see his very real beauty. He was very good-looking, and most graceful in his bearing, with that something wild as of a woodland creature in his aspect. Her mother moaned over her dismally whenever the girl came to see her on her day out. The father was surly, but pretended not to know; and Mrs. Finn once told her plainly that 'this man, my dear, will do you some harm some day yet.' And so it went on. They could be seen on the roads, she tramping stolidly in her finery - gray dress, black feather, stout boots, prominent white cotton gloves that caught your eye a hundred yards away; and he, his coat slung picturesquely over one shoulder, pacing by her side, gallant of bearing and casting tender glances upon the girl with the golden heart. I wonder whether he saw how plain she was. Perhaps among types so different from what he had ever seen, he had not the power to judge; or perhaps he was seduced by the divine quality of her pity.

< 19 >
"Yanko was in great trouble meantime. In his country you get an old man for an ambassador in marriage affairs. He did not know how to proceed. However, one day in the midst of sheep in a field (he was now Swaffer's under-shepherd with Foster) he took off his hat to the father and declared himself humbly. 'I daresay she's fool enough to marry you,' was all Foster said. 'And then,' he used to relate, 'he puts his hat on his head, looks black at me as if he wanted to cut my throat, whistles the dog, and off he goes, leaving me to do the work.' The Fosters, of course, didn't like to lose the wages the girl earned: Amy used to give all her money to her mother. But there was in Foster a very genuine aversion to that match. He contended that the fellow was very good with sheep, but was not fit for any girl to marry. For one thing, he used to go along the hedges muttering to himself like a dam' fool; and then, these foreigners behave very queerly to women sometimes. And perhaps he would want to carry her off somewhere - or run off himself. It was not safe. He preached it to his daughter that the fellow might ill-use her in some way. She made no answer. It was, they said in the village, as if the man had done something to her. People discussed the matter. It was quite an excitement, and the two went on 'walking out' together in the face of opposition. Then something unexpected happened.
"I don't know whether old Swaffer ever understood how much he was regarded in the light of a father by his foreign retainer. Anyway the relation was curiously feudal. So when Yanko asked formally for an interview - 'and the Miss too' (he called the severe, deaf Miss Swaffer simply Miss) - it was to obtain their permission to marry. Swaffer heard him unmoved, dismissed him by a nod, and then shouted the intelligence into Miss Swaffer's best ear. She showed no surprise, and only remarked grimly, in a veiled blank voice, 'He certainly won't get any other girl to marry him.'
"It is Miss Swaffer who has all the credit of the munificence: but in a very few days it came out that Mr. Swaffer had presented Yanko with a cottage (the cottage you've seen this morning) and something like an acre of ground - had made it over to him in absolute property. Willcox expedited the deed, and I remember him telling me he had a great pleasure in making it ready. It recited: 'In consideration of saving the life of my beloved grandchild, Bertha Willcox.'

< 20 >
"Of course, after that no power on earth could prevent them from getting married.
"Her infatuation endured. People saw her going out to meet him in the evening. She stared with unblinking, fascinated eyes up the road where he was expected to appear, walking freely, with a swing from the hip, and humming one of the lovetunes of his country. When the boy was born, he got elevated at the 'Coach and Horses,' essayed again a song and a dance, and was again ejected. People expressed their commiseration for a woman married to that Jack-in-the-box. He didn't care. There was a man now (he told me boastfully) to whom he could sing and talk in the language of his country, and show how to dance by-and-by.
"But I don't know. To me he appeared to have grown less springy of step, heavier in body, less keen of eye. Imagination, no doubt; but it seems to me now as if the net of fate had been drawn closer round him already.
"One day I met him on the footpath over the Talfourd Hill. He told me that 'women were funny.' I had heard already of domestic differences. People were saying that Amy Foster was beginning to find out what sort of man she had married. He looked upon the sea with indifferent, unseeing eyes. His wife had snatched the child out of his arms one day as he sat on the doorstep crooning to it a song such as the mothers sing to babies in his mountains. She seemed to think he was doing it some harm. Women are funny. And she had objected to him praying aloud in the evening. Why? He expected the boy to repeat the prayer aloud after him by-and-by, as he used to do after his old father when he was a child - in his own country. And I discovered he longed for their boy to grow up so that he could have a man to talk with in that language that to our ears sounded so disturbing, so passionate, and so bizarre. Why his wife should dislike the idea he couldn't tell. But that would pass, he said. And tilting his head knowingly, he tapped his breastbone to indicate that she had a good heart: not hard, not fierce, open to compassion, charitable to the poor!

< 21 >
"I walked away thoughtfully; I wondered whether his difference, his strangeness, were not penetrating with repulsion that dull nature they had begun by irresistibly attracting. I wondered..."
The Doctor came to the window and looked out at the frigid splendor of the sea, immense in the haze, as if enclosing all the earth with all the hearts lost among the passions of love and fear.
"Physiologically, now," he said, turning away abruptly, "it was possible. It was possible."
He remained silent. Then went on--
"At all events, the next time I saw him he was ill - lung trouble. He was tough, but I daresay he was not acclimatized as well as I had supposed. It was a bad winter; and, of course, these mountaineers do get fits of home sickness; and a state of depression would make him vulnerable. He was lying half dressed on a couch downstairs.
"A table covered with a dark oilcloth took up all the middle of the little room. There was a wicker cradle on the floor, a kettle spouting steam on the hob, and some child's linen lay drying on the fender. The room was warm, but the door opens right into the garden, as you noticed perhaps.
"He was very feverish, and kept on muttering to himself. She sat on a chair and looked at him fixedly across the table with her brown, blurred eyes. 'Why don't you have him upstairs?' I asked. With a start and a confused stammer she said, 'Oh! ah! I couldn't sit with him upstairs, Sir.'
"I gave her certain directions; and going outside, I said again that he ought to be in bed upstairs. She wrung her hands. 'I couldn't. I couldn't. He keeps on saying something - I don't know what.' With the memory of all the talk against the man that had been dinned into her ears, I looked at her narrowly. I looked into her short-sighted eyes, at her dumb eyes that once in her life had seen an enticing shape, but seemed, staring at me, to see nothing at all now. But I saw she was uneasy.
"'What's the matter with him?' she asked in a sort of vacant trepidation. 'He doesn't look very ill. I never did see anybody look like this before...'
"'Do you think,' I asked indignantly, 'he is shamming?'

< 22 >
"'I can't help it, sir,' she said stolidly. And suddenly she clapped her hands and looked right and left. 'And there's the baby. I am so frightened. He wanted me just now to give him the baby. I can't understand what he says to it.'
"'Can't you ask a neighbor to come in tonight?' I asked.
"'Please, sir, nobody seems to care to come,' she muttered, dully resigned all at once.
"I impressed upon her the necessity of the greatest care, and then had to go. There was a good deal of sickness that winter. 'Oh, I hope he won't talk!' she exclaimed softly just as I was going away.
"I don't know how it is I did not see - but I didn't. And yet, turning in my trap, I saw her lingering before the door, very still, and as if meditating a flight up the miry road.
"Towards the night his fever increased.
"He tossed, moaned, and now and then muttered a complaint. And she sat with the table between her and the couch, watching every movement and every sound, with the terror, the unreasonable terror, of that man she could not understand creeping over her. She had drawn the wicker cradle close to her feet. There was nothing in her now but the maternal instinct and that unaccountable fear.
"Suddenly coming to himself, parched, he demanded a drink of water. She did not move. She had not understood, though he may have thought he was speaking in English. He waited, looking at her, burning with fever, amazed at her silence and immobility, and then he shouted impatiently, 'Water! Give me water!'
"She jumped to her feet, snatched up the child, and stood still. He spoke to her, and his passionate remonstrances only increased her fear of that strange man. I believe he spoke to her for a long time, entreating, wondering, pleading, ordering, I suppose. She says she bore it as long as she could. And then a gust of rage came over him.
"He sat up and called out terribly one word - some word. Then he got up as though he hadn't been ill at all, she says. And as in fevered dismay, indignation, and wonder he tried to get to her round the table, she simply opened the door and ran out with the child in her arms. She heard him call twice after her down the road in a terrible voice - and fled... Ah! but you should have seen stirring behind the dull, blurred glance of these eyes the specter of the fear which had hunted her on that night three miles and a half to the door of Foster's cottage! I did the next day.

< 23 >
"And it was I who found him lying face down and his body in a puddle, just outside the little wicket-gate.
"I had been called out that night to an urgent case in the village, and on my way home at daybreak passed by the cottage. The door stood open. My man helped me to carry him in. We laid him on the couch. The lamp smoked, the fire was out, the chill of the stormy night oozed from the cheerless yellow paper on the wall. 'Amy!' I called aloud, and my voice seemed to lose itself in the emptiness of this tiny house as if I had cried in a desert. He opened his eyes. 'Gone!' he said distinctly. 'I had only asked for water - only for a little water...'
"He was muddy. I covered him up and stood waiting in silence, catching a painfully gasped word now and then. They were no longer in his own language. The fever had left him, taking with it the heat of life. And with his panting breast and lustrous eyes he reminded me again of a wild creature under the net; of a bird caught in a snare. She had left him. She had left him - sick - helpless - thirsty. The spear of the hunter had entered his very soul. 'Why?' he cried in the penetrating and indignant voice of a man calling to a responsible Maker. A gust of wind and a swish of rain answered.
"And as I turned away to shut the door he pronounced the word 'Merciful!' and expired.
"Eventually I certified heart-failure as the immediate cause of death. His heart must have indeed failed him, or else he might have stood this night of storm and exposure, too. I closed his eyes and drove away. Not very far from the cottage I met Foster walking sturdily between the dripping hedges with his collie at his heels.
"'Do you know where your daughter is?' I asked.
"'Don't I!' he cried. 'I am going to talk to him a bit. Frightening a poor woman like this.'
"'He won't frighten her any more,' I said. 'He is dead.'
"He struck with his stick at the mud.
"'And there's the child.'
"Then, after thinking deeply for a while--
"'I don't know that it isn't for the best.'

< 24 >
"That's what he said. And she says nothing at all now. Not a word of him. Never. Is his image as utterly gone from her mind as his lithe and striding figure, his caroling voice are gone from our fields? He is no longer before her eyes to excite her imagination into a passion of love or fear; and his memory seems to have vanished from her dull brain as a shadow passes away upon a white screen. She lives in the cottage and works for Miss Swaffer. She is Amy Foster for everybody, and the child is 'Amy Foster's boy.' She calls him Johnny - which means Little John.
"It is impossible to say whether this name recalls anything to her. Does she ever think of the past? I have seen her hanging over the boy's cot in a very passion of maternal tenderness. The little fellow was lying on his back, a little frightened at me, but very still, with his big black eyes, with his fluttered air of a bird in a snare. And looking at him I seemed to see again the other one - the father, cast out mysteriously by the sea to perish in the supreme disaster of loneliness and despair."